Roberta Flack & Donnie Hathaway were like wine and romance never mixed before. Such a wonderful musical texture captured that still touches the hearts of listeners. A favorite Donnie Hathaway arrangement was the live “groove” version of “What’s goin’ on”.
Flack was the first artist to win the Grammy Award for Record of the Year in two consecutive years: “The First Time Ever I Saw Your Face” won in 1973 and “Killing Me Softly with His Song” won in 1974. Only U2 and Billie Eilish have repeated this feat.
1970s
Flack in 1971
Les McCann discovered Flack singing and playing jazz in a Washington nightclub.[6] He later said on the liner notes of what would be her first album First Take noted below, “Her voice touched, tapped, trapped, and kicked every emotion I’ve ever known. I laughed, cried, and screamed for more…she alone had the voice.” Very quickly, he arranged an audition for her with Atlantic Records, during which she played 42 songs in 3 hours for producer Joel Dorn. In November 1968, she recorded 39 song demos in less than 10 hours. Three months later, Atlantic reportedly recorded Flack’s debut album, First Take, in a mere 10 hours.[11] Flack later spoke of those studio sessions as a “very naive and beautiful approach… I was comfortable with the music because I had worked on all these songs for all the years I had worked at Mr. Henry’s.”
Flack’s cover version of “Will You Love Me Tomorrow” hit number 76 on the Billboard Hot 100 in 1972. Her Atlantic recordings did not sell particularly well, until actor/director Clint Eastwood chose a song from First Take, “The First Time Ever I Saw Your Face” written by Ewan MacColl, for the sound track of his directorial debut Play Misty for Me; it became the biggest hit of the year for 1972, spending six consecutive weeks at #1 and earning Flack a million-selling Gold disc.[19] It finished the year as Billboard‘s top song of 1972. The First Take album also went to #1 and eventually sold 1.9 million copies in the United States. Eastwood, who paid $2,000 for the use of the song in the film,[20] has remained an admirer and friend of Flack’s ever since. It was awarded the Grammy Award for Record of the Year in 1973. In 1983, she recorded the end music to the Dirty Harry film Sudden Impact at Eastwood’s request.[11]
She used to be a woman from Boston with a voice from heaven, who shot throughout the stars from gospel choir to bounce ground diva. However what the sector didn’t know used to be how Donna Summer risked all of it to damage thru obstacles, turning into the icon of an technology and the foundation for each and every tune diva who adopted. With a ranking that includes greater than 20 of Summer’s vintage hits together with “Like to Love You Child,” “Dangerous Women” and “Sizzling Stuff,” this electrical revel in is a transferring tribute to the voice of a technology.
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