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Toby Keith Cuts Songs by John Prine, Sammy Hagar on New Album ‘Peso in My Pocket’

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On the heels of his induction into the Nashville Songwriters Hall of Fame, Toby Keith has announced the release of his new album. Titled Peso in My Pocket, the 10-song collection will be released October 15th. It’s the Oklahoma country singer’s first new album in nearly six years, following 2015’s 35 MPH Town.

Peso in My Pocket includes five songs written by Keith, including “Growing Up Is a Bitch,” cowritten with Sammy Hagar. Keith and the onetime Van Halen singer have performed together often over the years, including at a 2004 Super Bowl concert for CMT.

The other half of Keith’s new album includes songs written by the Warren Brothers and Jessie Jo Dillon, Oklahoma one-man-band Mike Hosty, and Keb’ Mo’, whose “Old Me Better” Keith turns into a collaboration with the blues performer. There’s also a cover of “Take a Look at My Heart,” a song written by John Prine and John Mellencamp that first appeared on Prine’s 1991 album The Missing Years. (Prine sang it with help from Bruce Springsteen on the original.)

Peso in My Pocket wraps up with Keith’s Independence Day release, “Happy Birthday America,” a somber ballad that questions the future of the U.S.

Earlier this week, the Nashville Songwriters Hall of Fame announced Keith’s induction as part of the class of 2021, along with Amy Grant, Rhett Akins, Buddy Cannon, and John Scott Sherrill. Keith is currently on the road with his Country Comes to Town Tour.

Peso in My Pocket track list:

1. “Oklahoma Breakdown” (Michael Hosty)
2. “Peso in My Pocket” (Toby Keith)
3. “Old School” (Ryan Hurd, Maren Morris, Brett Tyler)
4. “Old Me Better” (Kevin R. Moore, John Lewis Parker)
5. “Days I Shoulda Died” (Brad Warren, Brett Warren, Jessie Jo Dillon)
6. “Growing Up Is a Bitch” (Toby Keith, Sammy Hagar)
7. “She’s Drinkin’ Again” (Toby Keith)
8. “Thunderbird” (Toby Keith)
9. “Take a Look at My Heart” (John Mellencamp, John Prine)
10. “Happy Birthday America” (Toby Keith)

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RIAA Addresses IP Protections in USTR’S 2024 Unique 301 Report

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[[{“value”:”“The 2024 Special 301 Report provides a vital snapshot of the environment for music creators globally as well as a critical blueprint for US engagement with countries around the world to support them,” commented RIAA Chairman & CEO Mitch Glazier. 
The post RIAA Addresses IP Protections in USTR’S 2024 Special 301 Report appeared first on RIAA.”}]]

WASHINGTON, DC ( April 25, 2024) — Today, the United States Trade Agent (USTR) provided its yearly Unique 301 Report relating to deficiencies of copyright and other kinds of copyright (IP) securities in specific nations. The Report examines the existing legal, regulative, judicial, and enforcement actions on IP in those nations and recognizes the effect on United States music developers while likewise highlighting systemic concerns for United States federal government engagement to advance imagination worldwide. Amongst the cross-cutting concerns that show the music neighborhood’s input into the Unique 301 procedure, USTR Ambassador Katherine Tai acknowledged the important value of American developers’ contributions to United States tasks and financial development, keeping in mind Stakeholders from both unions and business in the imaginative sectors have actually highlighted the value of copyright defense and enforcement to their incomes and companies.”

” The 2024 Unique 301 Report offers an essential photo of the environment for music developers worldwide in addition to a vital plan for United States engagement with nations around the globe to support them, commented RIAA Chairman && CEO Mitch Glazier ” We value acknowledgment of uncomfortable patterns in many areas that would hurt the American music neighborhood, consisting of constraints on streaming rights, inadequate enforcement, and stream-ripping piracy, and the recognition of favorable advancements relating to copyright defense and enforcement. We motivate the United States Federal government in future Reports to resolve appropriate copyright defense in the context of AI as dedicated to by President Biden in the G7, and to oppose broad exceptions consisting of text and information mining. We likewise advise the United States Federal government to engage with nations based on continuous trade examinations, and to resolve deeply bothersome propositions on copyright and agreement matters, especially in South Africa.”

” We thank Ambassador Tai and the whole interagency group for their vigorous deal with this essential procedure. RIAA highly supports the United States Federal government’s extensive technique to promoting American developers globally, consisting of through existing and future IP discussions with the European Union, India and the UK.”

The post RIAA Addresses IP Protections in USTR’S 2024 Unique 301 Report appeared initially on RIAA

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Year-End 2023 RIAA U.S. Latin Music Income Report/ Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos

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[[{“value”:”Latin music in the U.S. has increased in popularity and value over the last eight years, outpacing overall recorded music… Read More »
The post Year-End 2023 RIAA U.S. Latin Music Revenue Report / Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos appeared first on RIAA.”}]]

Latin music in the U.S. has actually increased in appeal and worth over the last 8 years, outmatching general documented music each year throughout this duration of strong development. In 2023, the category struck its greatest mark yet at $1.4 billion, representing 16% development over 2022. Changed for inflation, Latin music market profits in 2023 are now 14% above the previous peak in 2005.

LINK TO FULL ENGLISH REPORT HERE

INFORME DE FIN DE AÑO 2023 DE RIAA SOBRE INGRESOS DE MÚSICA LATINA EN ESTADOS UNIDOS

La música latina en los EE. UU. creció en cuanto a su popularidad y valor durante los últimos ocho años, superando a la música grabada en basic cada año durante este período de fuerte crecimiento. En 2023, el género alcanzó su marca más alta con $1400 millones, que representa un crecimiento del 16 % con respecto a 2022. Ajustados por la inflación, los ingresos del mercado de la música latina en 2023 ahora están un 14 % por encima del pico previo en 2005.

ENLACE AL INFORME COMPLETO EN ESPAÑOL AQUÍ

The post Year-End 2023 RIAA U.S. Latin Music Income Report/ Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos appeared initially on RIAA

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Live Music On I-Drive Orlando

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Live Music on I-Drive Orlando; Supper & & Dancing at Cuba Libra. Friday’s & & Saturday’s; DJ Night. Friday and Saturday; Live Acoustic Music. Fridays and Saturdays.

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The post Live Music On I-Drive Orlando appeared initially on Weekly Calendar

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