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Catch Jimmy LaVelle of The Album Leaf On ‘Gone In 30 Minutes’

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Jimmy LaVelle

A new episode of Gone in 30 Minutes dropped today with guest Jimmy LaVelle, best known for his ambient and visually innovative work as The Album Leaf. LaVelle spoke with host Tom DeSavia from his Southern California home, where he discussed life as a composer, collaborator, and artist.

LaVelle, who established The Album Leaf in the late 90s, shared that he has a lot of new music to put out into the world. “One day, I came into the studio and I named a project ‘Cycles One.’ And then the next day, I named a project ‘Cycles Two.’ I’m up to, like, 160, and none of these have been released,” he laughed. While he doesn’t plan on releasing every one of these recordings, the prolific artist has been spending much of his time in lockdown fine-tuning his latest work and bringing in other collaborators, including vocalists.



Speaking to his overall creative process, LaVelle shared that “I’ll hear tones and textures…I’m inspired by the moment and whatever sound is happening.” He added, “I feel like if you go back and pick apart my songs…you can almost hear what it started with. Because whatever the strongest melodic element is what it started with.”

LaVelle also discussed the unique process of composing music for films. While this is now a significant part of his career, LaVelle revealed that it took quite a bit of time to overcome self-doubt when working with filmmakers. “It’s been a natural progression as far as [coming into] my own as a composer,” he explained. His most recent score, for the sci-fi horror film Synchronic, was released in 2020.

Additionally, LaVelle touched upon his recent work with the popular Nigerian dance duo, the Ebinum Brothers. Originally connecting via Instagram, he has written several pieces for the Lagos-based Victory and Marvel Ebinum. “It’s been a really cool collaboration,” he said. “Especially now in the day and age of COVID, where there’s so much more video communication happening. I’m really down with it.”

Last week, Gone in 30 Minutes launched its second season with singer-songwriter Valerie June. Presented by Craft Recordings, the podcast offers 30-minute remote and unfiltered conversations with musicians, writers, and tastemakers from the Concord family and beyond, who discuss the current state of the music business, the challenges of creating art during a pandemic, and much more. Future guests for Season Two include Sara and Sean Watkins of Nickel Creek, Birds of Chicago’s Allison Russell and JT Nero, and Better Than Ezra’s Kevin Griffin.

Click here to check out new and past episodes of Gone in 30 Minutes.

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RIAA Addresses IP Protections in USTR’S 2024 Unique 301 Report

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[[{“value”:”“The 2024 Special 301 Report provides a vital snapshot of the environment for music creators globally as well as a critical blueprint for US engagement with countries around the world to support them,” commented RIAA Chairman & CEO Mitch Glazier. 
The post RIAA Addresses IP Protections in USTR’S 2024 Special 301 Report appeared first on RIAA.”}]]

WASHINGTON, DC ( April 25, 2024) — Today, the United States Trade Agent (USTR) provided its yearly Unique 301 Report relating to deficiencies of copyright and other kinds of copyright (IP) securities in specific nations. The Report examines the existing legal, regulative, judicial, and enforcement actions on IP in those nations and recognizes the effect on United States music developers while likewise highlighting systemic concerns for United States federal government engagement to advance imagination worldwide. Amongst the cross-cutting concerns that show the music neighborhood’s input into the Unique 301 procedure, USTR Ambassador Katherine Tai acknowledged the important value of American developers’ contributions to United States tasks and financial development, keeping in mind Stakeholders from both unions and business in the imaginative sectors have actually highlighted the value of copyright defense and enforcement to their incomes and companies.”

” The 2024 Unique 301 Report offers an essential photo of the environment for music developers worldwide in addition to a vital plan for United States engagement with nations around the globe to support them, commented RIAA Chairman && CEO Mitch Glazier ” We value acknowledgment of uncomfortable patterns in many areas that would hurt the American music neighborhood, consisting of constraints on streaming rights, inadequate enforcement, and stream-ripping piracy, and the recognition of favorable advancements relating to copyright defense and enforcement. We motivate the United States Federal government in future Reports to resolve appropriate copyright defense in the context of AI as dedicated to by President Biden in the G7, and to oppose broad exceptions consisting of text and information mining. We likewise advise the United States Federal government to engage with nations based on continuous trade examinations, and to resolve deeply bothersome propositions on copyright and agreement matters, especially in South Africa.”

” We thank Ambassador Tai and the whole interagency group for their vigorous deal with this essential procedure. RIAA highly supports the United States Federal government’s extensive technique to promoting American developers globally, consisting of through existing and future IP discussions with the European Union, India and the UK.”

The post RIAA Addresses IP Protections in USTR’S 2024 Unique 301 Report appeared initially on RIAA

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Year-End 2023 RIAA U.S. Latin Music Income Report/ Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos

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[[{“value”:”Latin music in the U.S. has increased in popularity and value over the last eight years, outpacing overall recorded music… Read More »
The post Year-End 2023 RIAA U.S. Latin Music Revenue Report / Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos appeared first on RIAA.”}]]

Latin music in the U.S. has actually increased in appeal and worth over the last 8 years, outmatching general documented music each year throughout this duration of strong development. In 2023, the category struck its greatest mark yet at $1.4 billion, representing 16% development over 2022. Changed for inflation, Latin music market profits in 2023 are now 14% above the previous peak in 2005.

LINK TO FULL ENGLISH REPORT HERE

INFORME DE FIN DE AÑO 2023 DE RIAA SOBRE INGRESOS DE MÚSICA LATINA EN ESTADOS UNIDOS

La música latina en los EE. UU. creció en cuanto a su popularidad y valor durante los últimos ocho años, superando a la música grabada en basic cada año durante este período de fuerte crecimiento. En 2023, el género alcanzó su marca más alta con $1400 millones, que representa un crecimiento del 16 % con respecto a 2022. Ajustados por la inflación, los ingresos del mercado de la música latina en 2023 ahora están un 14 % por encima del pico previo en 2005.

ENLACE AL INFORME COMPLETO EN ESPAÑOL AQUÍ

The post Year-End 2023 RIAA U.S. Latin Music Income Report/ Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos appeared initially on RIAA

FlipsideMediaET Tampa Bay Music • Live Music & & Music News “Whatever Music”

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Live Music On I-Drive Orlando

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Live Music on I-Drive Orlando; Supper & & Dancing at Cuba Libra. Friday’s & & Saturday’s; DJ Night. Friday and Saturday; Live Acoustic Music. Fridays and Saturdays.

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The post Live Music On I-Drive Orlando appeared initially on Weekly Calendar

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