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Dan + Shay ‘Freaked’ When They Won on the 2021 Grammys

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Dan + Shay will have to have numerous observe at giving Grammy Awards acceptance speeches via now — in any case, Sunday’s (March 14) 2021 Grammy Awards marked the 3rd consecutive yr they have got introduced house the Very best Nation Duo/Team Efficiency honor.

But if bandmates Dan Smyers and Shay Mooney heard their names known as as the class’s winners as soon as once more all over the pre-telecast Premiere Rite — this time for his or her Justin Bieber collaboration “10,000 Hours” — they admit they had been so surprised that they could have forgotten to thank some other people.

“They [said] our music and our title, and we freaked,” Smyers admitted within the Grammy Awards digital press room. “We had no clue what to mention, and we had been rambling. You’ll be able to more than likely see it in our acceptance speech — apologies to any individual we forgot! However yeah, [the award] approach so much.”

The pair get anxious at each awards display, Smyers admits, however the 2021 Grammy Awards had been specifically nerve-wracking. “I believe like we had been much more anxious this yr — within the convenience of your house, sitting in entrance of your visual display unit,” he provides with amusing.

“This yr is additional particular [for winning this award]. When it is a customary yr, you might be at the street and you might be doing 100-plus displays a yr, so you feel a large number of one-on-one together with your enthusiasts each unmarried evening,” Smyers continues. “[During the pandemic shutdowns], you don’t seem to be in a position to really feel the relationship. You’ll have successful music, you will have a music that climbs the charts at the radio, however you might be no longer feeling your enthusiasts making a song it again to you each evening.

“So as to win this yr of all years, to have tangible proof of the good fortune and the relationship of the music, it makes us really feel truly just right,” he concludes.

Now not handiest has the pandemic intended they are able to’t revel in appearing their songs in entrance of enthusiasts reside, additionally it is intended that Dan + Shay had been not able to have fun with their collaborator Bieber as frequently as they’d have preferred. “We by no means in reality were given to have fun the music going No. 1 with [Bieber] till the CMA [Awards] closing yr, after we were given in combination,” Mooney issues out.

“He is one of these proficient man. Having him be in this music, from the start of the music right here in Nashville, and getting him at the music and him completing it and roughly making it what it’s now — that was once loopy that that took place initially,” he continues. “It’s going to be an important day on every occasion we get to be there with in individual and have fun with him. It is gonna be a truly particular factor.”

Within the interim, alternatively, Mooney is happy with the intention to have fun along with his bandmate at his facet.

“I am right here with my absolute best buddy,” he endured, gesturing at Smyers. “I am very happy I am getting to have fun with this man.”

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The winners on the 2021 Grammy Awards come with one of the most greatest and Most worthy names in nation tune.

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RIAA Addresses IP Protections in USTR’S 2024 Unique 301 Report

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[[{“value”:”“The 2024 Special 301 Report provides a vital snapshot of the environment for music creators globally as well as a critical blueprint for US engagement with countries around the world to support them,” commented RIAA Chairman & CEO Mitch Glazier. 
The post RIAA Addresses IP Protections in USTR’S 2024 Special 301 Report appeared first on RIAA.”}]]

WASHINGTON, DC ( April 25, 2024) — Today, the United States Trade Agent (USTR) provided its yearly Unique 301 Report relating to deficiencies of copyright and other kinds of copyright (IP) securities in specific nations. The Report examines the existing legal, regulative, judicial, and enforcement actions on IP in those nations and recognizes the effect on United States music developers while likewise highlighting systemic concerns for United States federal government engagement to advance imagination worldwide. Amongst the cross-cutting concerns that show the music neighborhood’s input into the Unique 301 procedure, USTR Ambassador Katherine Tai acknowledged the important value of American developers’ contributions to United States tasks and financial development, keeping in mind Stakeholders from both unions and business in the imaginative sectors have actually highlighted the value of copyright defense and enforcement to their incomes and companies.”

” The 2024 Unique 301 Report offers an essential photo of the environment for music developers worldwide in addition to a vital plan for United States engagement with nations around the globe to support them, commented RIAA Chairman && CEO Mitch Glazier ” We value acknowledgment of uncomfortable patterns in many areas that would hurt the American music neighborhood, consisting of constraints on streaming rights, inadequate enforcement, and stream-ripping piracy, and the recognition of favorable advancements relating to copyright defense and enforcement. We motivate the United States Federal government in future Reports to resolve appropriate copyright defense in the context of AI as dedicated to by President Biden in the G7, and to oppose broad exceptions consisting of text and information mining. We likewise advise the United States Federal government to engage with nations based on continuous trade examinations, and to resolve deeply bothersome propositions on copyright and agreement matters, especially in South Africa.”

” We thank Ambassador Tai and the whole interagency group for their vigorous deal with this essential procedure. RIAA highly supports the United States Federal government’s extensive technique to promoting American developers globally, consisting of through existing and future IP discussions with the European Union, India and the UK.”

The post RIAA Addresses IP Protections in USTR’S 2024 Unique 301 Report appeared initially on RIAA

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Year-End 2023 RIAA U.S. Latin Music Income Report/ Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos

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[[{“value”:”Latin music in the U.S. has increased in popularity and value over the last eight years, outpacing overall recorded music… Read More »
The post Year-End 2023 RIAA U.S. Latin Music Revenue Report / Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos appeared first on RIAA.”}]]

Latin music in the U.S. has actually increased in appeal and worth over the last 8 years, outmatching general documented music each year throughout this duration of strong development. In 2023, the category struck its greatest mark yet at $1.4 billion, representing 16% development over 2022. Changed for inflation, Latin music market profits in 2023 are now 14% above the previous peak in 2005.

LINK TO FULL ENGLISH REPORT HERE

INFORME DE FIN DE AÑO 2023 DE RIAA SOBRE INGRESOS DE MÚSICA LATINA EN ESTADOS UNIDOS

La música latina en los EE. UU. creció en cuanto a su popularidad y valor durante los últimos ocho años, superando a la música grabada en basic cada año durante este período de fuerte crecimiento. En 2023, el género alcanzó su marca más alta con $1400 millones, que representa un crecimiento del 16 % con respecto a 2022. Ajustados por la inflación, los ingresos del mercado de la música latina en 2023 ahora están un 14 % por encima del pico previo en 2005.

ENLACE AL INFORME COMPLETO EN ESPAÑOL AQUÍ

The post Year-End 2023 RIAA U.S. Latin Music Income Report/ Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos appeared initially on RIAA

FlipsideMediaET Tampa Bay Music • Live Music & & Music News “Whatever Music”

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Live Music On I-Drive Orlando

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Live Music on I-Drive Orlando; Supper & & Dancing at Cuba Libra. Friday’s & & Saturday’s; DJ Night. Friday and Saturday; Live Acoustic Music. Fridays and Saturdays.

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The post Live Music On I-Drive Orlando appeared initially on Weekly Calendar

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