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Michael Ray Celebrates ‘Whiskey And Rain’ With Writers Jesse Frasure & Josh Thompson

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Pictured (L-R, back row): Big Machine’s Mike Molinar, MV2’s Tony Harrell, Warner Music Nashville’s Ben Kline, BMI’s David Preston, Rhythm House’s Vanna Moua, Rhythm House’s Stevie Frasure; (L-R, front row): Josh Thompson, Michael Ray, Jesse Frasure. Photo: Steve Lowry / BMI

Music industry members gathered on Thursday (April 21) to celebrate Michael Ray‘s fourth No. 1, the moody country hit, “Whiskey And Rain.” The party was held at The Local by BMI, and hosted by the PRO’s David Preston.

The ever-illusive outside song was written by two country hitmakers, Josh Thompson and Jesse Frasure. It was Thompson’s seventh No. 1 and Frasure’s twentieth. “Whiskey And Rain” was produced by Ross Copperman, who was not able to attend the celebration. The writers later guessed that the successful writer-producer was probably busy cutting his next No. 1.

Big Machine Music’s Mike Molinar gave the first publisher presentation. “We know that there are so many teams behind each of the people here on stage, especially the Warner Brothers promo team, A&R team, art and creative. We know how hard it is to get a No. 1 these days,” Molinar said.

The aggressive WEA promo team definitely earned their recognition, as “Whiskey And Rain” took 62 weeks to hit the chart pinnacle. It was also Ray’s first two-week chart-topper.

Pictured (L-R, back row): From Warner Music Nashville’s Radio Team – James Marsh, Stephanie Hagerty, Chad Schultz, Chris Fabiani, Kayla Burnett, Kristen Williams; (L-R, front row): Josh Thompson, Michael Ray, Jesse Frasure. Photo: Steve Lowry / BMI

MV2’s Tony Harrell was on hand to speak about Thompson. “‘Whiskey And Rain’ sounds like country radio,” he said. “Josh Thompson, I’m glad I’m standing by you. We are so proud of you at MV2.”

Rhythm House’s Stevie Frasure was up next to say a few words. She spoke eloquently about the magnitude of Ray cutting an outside song that was written by only two writers.

“It’s so awesome when you have an artist who, not only is a badass performer and artist, but a songwriter as well who still listens to those outside songs. We could not appreciate you more,” Frasure said, before thanking Morris Higham Management’s Buffy Cooper, who helped get the song to Ray.

“It’s a two-way y’all,” Frasure added. “I feel like we’re back in the ’90s here.”

Warner Music Nashville’s Ben Kline was on hand to recognize Ray, the Warner staff, and all team members involved in the success of “Whiskey And Rain.” “210 million global streams. This is just one of those songs that just keeps giving” Kline said. “It is a testament to the team and how hard they fight when they have a hit song.”

When it came time to hear from the men on stage, Thompson kicked things off. One of his children charmed the crowd when Thompson said “Hey” into the mic and the baby responded with an enthusiastic, “Hi!”

Thompson thanked God, his family, Ray and Frasure, and the team. “Michael Ray just crushed this thing,” he said. “He took it to the next level. It felt like a smash to me the first time I heard it and I thank God that it translated to country radio.”

Frasure echoed his wife and fellow publisher when he spoke. “For writers and publishers, outside songs are the holy grail. We still believe that they exist but they’re getting hard to find out there,” he said. “We’re very grateful for this. It means the world to us.”

When Ray spoke, he first recognized host Preston, who apparently was the first person to take a meeting with him in Nashville. “David, I wouldn’t be up here with you,” he said.

The artist recognized the WEA team who fought for 60 weeks to ring the bell. He also thanked his team members. Ray spoke very graciously about Thompson and Frasure, saying that they were both future hall of fame songwriters.

“I love writing songs. I feel like I’m getting into my best years of writing, I feel like I know who I am as an artist and what I want to say,” Ray said. “That being said, we wouldn’t have the foundation of Nashville if it wasn’t for songwriters and I feel like they’re the last person on the totem pole a lot of times.

“When I go back to my heroes—Kenny Chesney, George Strait, Jason Aldean, Lee Brice, and Merle Haggard—they cut outside songs. My heroes cut outside songs,” he said. “We’re a town that was built on songwriters. It means more to me than y’all know to say that I did not write this song.”

Pinnacle Bank, who partners with BMI for No. 1 parties, made a donation in Frasure’s name to Wags and Walks and in Thompson’s name to St. Jude Children’s Research Hospital.

The post Michael Ray Celebrates ‘Whiskey And Rain’ With Writers Jesse Frasure & Josh Thompson appeared first on MusicRow.com.

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Singer-Actor FKA branches & & Warner Music Group CEO Robert Kyncl Supporter for Voice & & Similarity Defenses at Senate Judiciary Hearing

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[[{“value”:”Federal Guardrails Against Deceptive AI-Generated Deepfakes and Voice Clones Gains Momentum in Key Senate Subcommittee
The post Singer-Actor FKA twigs & Warner Music Group CEO Robert Kyncl Advocate for Voice & Likeness Protections at Senate Judiciary Hearing appeared first on RIAA.”}]]

Federal Guardrails Versus Misleading AI-Generated Deepfakes and Voice Clones Gains Momentum in Secret Senate Subcommittee

Visualized (L-R): Warner CEO Robert Kyncl & & FKA branches share impactful individual testament

FKA branches affirms on behalf of voice and similarity approval relating to AI

Warner Music Group CEO Robert Kyncl uses viewpoint to Senate Committee

WASHINGTON, DC ( April 30, 2024) — Vocalist, songwriter, manufacturer, dancer & & star Tahliah Debrett Barnett (“ FKA branches“) and Warner Music Group CEO Robert Kyncl shared effective testament throughout a Senate Judiciary Subcommittee on Copyright hearing previously today in the country’s capital about the significance of guardrails to safeguard a person’s voice and similarity along with the obligation of tech platforms as expert system (AI) quickly develops. The conversation concentrated on the bipartisan Support Originals, Foster Art, and Keep Home Entertainment Safe (NO PHONIES) Act — a proposition presented by Senators Chris Coons, Marsha Blackburn, Amy Klobuchar, and Thom Tillis that would provide federal securities versus using non-consensual digital duplications in audiovisual works or sound recordings for all Americans.

Multi-hyphenate skill, FKA branches throughout acknowledged the significance of approval from the specific whose being is the really essence of this innovation. ” The reality that someone might take my voice, modification lyrics, modification messaging or deal with an artist that I didn’t, it actually leaves me really susceptible. If legislation isn’t put in location to safeguard artists, not just will we let artists who actually appreciate what we do– that have actually invested a very long time establishing themselves– however it would likewise indicate that fans would not have the ability to rely on individuals that they have actually invested a lot of years purchasing.”

In reaction to claims that deepfakes of living or departed individuals are required for filmmaking, FKA branches described, ” I believe the issue is, if you have the ability to utilize an artist’s voice and similarity without approval about their life story, you’re offering the impression that it’s the equivalent of an autobiography, rather a bio … which’s a confusion. If you have the ability to utilize my voice and my precise face, [then] a group of authors in Hollywood that wish to over dramatize things and make it more awful or fantastical, that’s what makes me actually worried, uneasy and susceptible. If it’s a star, we understand to take it with a pinch of salt. If it is the individual themself, then it simply feels too clear and unfair.”

Notified by his previous experience as a magnate at YouTube and Netflix, Kyncl spoke from deep understanding and regard for both innovation and developers and required clear guardrails for AI. “ Through AI, it is really simple for somebody to impersonate me and trigger all way of havoc. They might talk to an artist in a manner that might damage our relationship or state incorrect things that would harm our service.”

Kyncl summarized, “the fact is, everybody is susceptible.”

In a watershed minute, in reaction to questioning from Senator Mazie Hirono, all witnesses present consisting of those requiring modifications or limitations to the proposed legislation concurred that Congress must enact brand-new securities for people’ voices and images.

Attending to complimentary expression issues, SAG-AFTRA National Executive Director & & Chief Mediator Duncan Crabtree-Ireland included, ” I am worried that we are just taking a look at one side of the First Modification factor to consider here. The opposite is the right that each people needs to our own flexibility of speech to be able to interact our concepts, to associate ourselves with concepts that we wish to so and not be related to concepts we disagree with– that is being actually stomped on by this unconfined capability of individuals without a federal right.”

Senator Tillis stated, “ I’m pleased that we’re using up this costs. I do feel highly we ought to do whatever we can to attempt and move it in this Congress.”

RIAA Chairman & & CEO Mitch Glazie r praised the Committee’s thoughtful evaluation of the NO FAKES Act conversation draft. “ Today’s hearing sets the table for swift and strong action by Congress to safeguard every American from unconsented deepfakes and voice clones. Engaging, individual testament from both FKA branches, Warner CEO Robert Kyncl, and SAG-AFTRA National Director & & Chief Mediator Duncan Crabtree-Ireland made a frustrating case for brand-new legislation safeguarding developers’ incomes and tradition and offering all of us the power to stop bad stars from utilizing our voices and images to create violent deepfakes.”

At today’s hearing, Chairman Coons revealed strategies to complete and officially present the NO FAKES Act this summertime. Together with your home No AI Scams Act, both chambers are now progressing with nationwide steps to safeguard people’ voice and similarity rights.

Kyncl’s op-ed released today in The Hill, entitled 4 Guidelines To Make Expert System Work For People even more set out the significance of Authorization, Money Making, Attribution and Provenance as AI is established. He revealed, ” These propositions would develop clear guideline, assisting to avoid a world where AI can proper an individual’s identity without their approval. This would likewise have a ‘halo impact,’ assisting to suppress false information, identity theft, and hate-fueled material.”

Watch The NO FAKES Act: Safeguarding Americans from Unauthorized Digital Replicas hearing here

The post Singer-Actor FKA branches & & Warner Music Group CEO Robert Kyncl Supporter for Voice & & Similarity Defenses at Senate Judiciary Hearing appeared initially on RIAA

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RIAA Addresses IP Protections in USTR’S 2024 Unique 301 Report

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[[{“value”:”“The 2024 Special 301 Report provides a vital snapshot of the environment for music creators globally as well as a critical blueprint for US engagement with countries around the world to support them,” commented RIAA Chairman & CEO Mitch Glazier. 
The post RIAA Addresses IP Protections in USTR’S 2024 Special 301 Report appeared first on RIAA.”}]]

WASHINGTON, DC ( April 25, 2024) — Today, the United States Trade Agent (USTR) provided its yearly Unique 301 Report relating to deficiencies of copyright and other kinds of copyright (IP) securities in specific nations. The Report examines the existing legal, regulative, judicial, and enforcement actions on IP in those nations and recognizes the effect on United States music developers while likewise highlighting systemic concerns for United States federal government engagement to advance imagination worldwide. Amongst the cross-cutting concerns that show the music neighborhood’s input into the Unique 301 procedure, USTR Ambassador Katherine Tai acknowledged the important value of American developers’ contributions to United States tasks and financial development, keeping in mind Stakeholders from both unions and business in the imaginative sectors have actually highlighted the value of copyright defense and enforcement to their incomes and companies.”

” The 2024 Unique 301 Report offers an essential photo of the environment for music developers worldwide in addition to a vital plan for United States engagement with nations around the globe to support them, commented RIAA Chairman && CEO Mitch Glazier ” We value acknowledgment of uncomfortable patterns in many areas that would hurt the American music neighborhood, consisting of constraints on streaming rights, inadequate enforcement, and stream-ripping piracy, and the recognition of favorable advancements relating to copyright defense and enforcement. We motivate the United States Federal government in future Reports to resolve appropriate copyright defense in the context of AI as dedicated to by President Biden in the G7, and to oppose broad exceptions consisting of text and information mining. We likewise advise the United States Federal government to engage with nations based on continuous trade examinations, and to resolve deeply bothersome propositions on copyright and agreement matters, especially in South Africa.”

” We thank Ambassador Tai and the whole interagency group for their vigorous deal with this essential procedure. RIAA highly supports the United States Federal government’s extensive technique to promoting American developers globally, consisting of through existing and future IP discussions with the European Union, India and the UK.”

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Year-End 2023 RIAA U.S. Latin Music Income Report/ Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos

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[[{“value”:”Latin music in the U.S. has increased in popularity and value over the last eight years, outpacing overall recorded music… Read More »
The post Year-End 2023 RIAA U.S. Latin Music Revenue Report / Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos appeared first on RIAA.”}]]

Latin music in the U.S. has actually increased in appeal and worth over the last 8 years, outmatching general documented music each year throughout this duration of strong development. In 2023, the category struck its greatest mark yet at $1.4 billion, representing 16% development over 2022. Changed for inflation, Latin music market profits in 2023 are now 14% above the previous peak in 2005.

LINK TO FULL ENGLISH REPORT HERE

INFORME DE FIN DE AÑO 2023 DE RIAA SOBRE INGRESOS DE MÚSICA LATINA EN ESTADOS UNIDOS

La música latina en los EE. UU. creció en cuanto a su popularidad y valor durante los últimos ocho años, superando a la música grabada en basic cada año durante este período de fuerte crecimiento. En 2023, el género alcanzó su marca más alta con $1400 millones, que representa un crecimiento del 16 % con respecto a 2022. Ajustados por la inflación, los ingresos del mercado de la música latina en 2023 ahora están un 14 % por encima del pico previo en 2005.

ENLACE AL INFORME COMPLETO EN ESPAÑOL AQUÍ

The post Year-End 2023 RIAA U.S. Latin Music Income Report/ Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos appeared initially on RIAA

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