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Jazz Guitarist of the Week: John Scofield “a road warrior” since the 70’s

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I have to admit right from the start that John Scofield is the only jazz artist that I recall ever distributed through the Burger King drive thru. “Techno’. An amazing iconic guitarist that has been blessed to be in the right place at the right and to make use of the moment. A jazz musician is a voice. Some play a lot of notes. Some play few notes. Some play hard and tough. Some play real pretty. In summary, they are all part of jazz with a touch of what seems like humanity.

Miles,”What’s the next generation of jazz? I don’t know. Look to someone else”…

My favorite tune is on the album Solar with John Scofield & John Ambercrombie. I was studying jazz in Chicago in the 80’s at the American Conservatory of Music. The tune “Even Steven” has become a part of who I am ever since the first listen. I love the collaboration. The layering and interaction between the guitarists. It is almost like impressionism portrayed temporally and has impacted my life.

If I could ever have a chance to hang with Mr. Scofield and absorb his musical knowledge and experience. I would be glad to accept the baton and keep the tradition alive.

written by David Moore jazz guitarist and veteran United States Navy band #TampaBayMusicNews #DavidMooreJazzGuitar 14 Dec 2022

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RIAA Addresses IP Protections in USTR’S 2024 Unique 301 Report

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[[{“value”:”“The 2024 Special 301 Report provides a vital snapshot of the environment for music creators globally as well as a critical blueprint for US engagement with countries around the world to support them,” commented RIAA Chairman & CEO Mitch Glazier. 
The post RIAA Addresses IP Protections in USTR’S 2024 Special 301 Report appeared first on RIAA.”}]]

WASHINGTON, DC ( April 25, 2024) — Today, the United States Trade Agent (USTR) provided its yearly Unique 301 Report relating to deficiencies of copyright and other kinds of copyright (IP) securities in specific nations. The Report examines the existing legal, regulative, judicial, and enforcement actions on IP in those nations and recognizes the effect on United States music developers while likewise highlighting systemic concerns for United States federal government engagement to advance imagination worldwide. Amongst the cross-cutting concerns that show the music neighborhood’s input into the Unique 301 procedure, USTR Ambassador Katherine Tai acknowledged the important value of American developers’ contributions to United States tasks and financial development, keeping in mind Stakeholders from both unions and business in the imaginative sectors have actually highlighted the value of copyright defense and enforcement to their incomes and companies.”

” The 2024 Unique 301 Report offers an essential photo of the environment for music developers worldwide in addition to a vital plan for United States engagement with nations around the globe to support them, commented RIAA Chairman && CEO Mitch Glazier ” We value acknowledgment of uncomfortable patterns in many areas that would hurt the American music neighborhood, consisting of constraints on streaming rights, inadequate enforcement, and stream-ripping piracy, and the recognition of favorable advancements relating to copyright defense and enforcement. We motivate the United States Federal government in future Reports to resolve appropriate copyright defense in the context of AI as dedicated to by President Biden in the G7, and to oppose broad exceptions consisting of text and information mining. We likewise advise the United States Federal government to engage with nations based on continuous trade examinations, and to resolve deeply bothersome propositions on copyright and agreement matters, especially in South Africa.”

” We thank Ambassador Tai and the whole interagency group for their vigorous deal with this essential procedure. RIAA highly supports the United States Federal government’s extensive technique to promoting American developers globally, consisting of through existing and future IP discussions with the European Union, India and the UK.”

The post RIAA Addresses IP Protections in USTR’S 2024 Unique 301 Report appeared initially on RIAA

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Year-End 2023 RIAA U.S. Latin Music Income Report/ Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos

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[[{“value”:”Latin music in the U.S. has increased in popularity and value over the last eight years, outpacing overall recorded music… Read More »
The post Year-End 2023 RIAA U.S. Latin Music Revenue Report / Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos appeared first on RIAA.”}]]

Latin music in the U.S. has actually increased in appeal and worth over the last 8 years, outmatching general documented music each year throughout this duration of strong development. In 2023, the category struck its greatest mark yet at $1.4 billion, representing 16% development over 2022. Changed for inflation, Latin music market profits in 2023 are now 14% above the previous peak in 2005.

LINK TO FULL ENGLISH REPORT HERE

INFORME DE FIN DE AÑO 2023 DE RIAA SOBRE INGRESOS DE MÚSICA LATINA EN ESTADOS UNIDOS

La música latina en los EE. UU. creció en cuanto a su popularidad y valor durante los últimos ocho años, superando a la música grabada en basic cada año durante este período de fuerte crecimiento. En 2023, el género alcanzó su marca más alta con $1400 millones, que representa un crecimiento del 16 % con respecto a 2022. Ajustados por la inflación, los ingresos del mercado de la música latina en 2023 ahora están un 14 % por encima del pico previo en 2005.

ENLACE AL INFORME COMPLETO EN ESPAÑOL AQUÍ

The post Year-End 2023 RIAA U.S. Latin Music Income Report/ Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos appeared initially on RIAA

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Live Music On I-Drive Orlando

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Live Music on I-Drive Orlando; Supper & & Dancing at Cuba Libra. Friday’s & & Saturday’s; DJ Night. Friday and Saturday; Live Acoustic Music. Fridays and Saturdays.

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The post Live Music On I-Drive Orlando appeared initially on Weekly Calendar

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