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Tedeschi Trucks Band announces ‘I Am The Moon’

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We are thrilled to announce the fifth and most ambitious studio project of TTB’s storied career: I Am The Moon, an epic undertaking in four albums and 24 original songs.

Inspired by a mythic Persian tale of star-crossed lovers and emotionally driven by the isolation and disconnection of the pandemic era, I Am The Moon totals more than two hours of new music and will be released in successive months beginning with I Am The Moon – I. Crescent, available on CD and digital, Friday, June 3rd.

In addition TTB will present an immersive visual companion to each audio release. The decision to sequence and release I Am The Moon in four distinct episodes came “when we started thinking of records we love,” says Derek, citing Axis: Bold as Love, the 1967 LP by the Jimi Hendrix Experience. “It’s 36 minutes long. That’s the way to digest a record.”  With that approach in mind, TTB will present I Am The Moon: The Films, combining studio and performance footage with atmospheric photography and imagery capturing the music’s kaleidoscopic textures. The corresponding films will debut three days prior to each audio release, offering our loyal community an early opportunity to digest each album in its entirety as a communal listening and viewing experience via the band’s YouTube channel.

The first episode, I Am The Moon: The Film – I. Crescent, debuts on Tuesday, May 31st at 9:00pm ET / 6:00pm PT. Release dates for each I Am The Moon album and film can be found below.

I Am The Moon: I. Crescent
Film Premiere: May 31st 
CD & Digital Release: June 3rd

I Am The Moon: II. Ascension
Film Premiere: June 28th
CD & Digital Release: July 1st

I Am The Moon: III. The Fall
Film Premiere: July 26th
CD & Digital Release: July 29th

I Am The Moon: IV. Farewell
Film Premiere: August 23rd
CD & Digital Release: August 26th

I Am The Moon – Vinyl Configurations
Including Individual LPs + 4-LP Deluxe Version
Available September 9th  

Available EXCLUSIVELY through the TTB store and the Fantasy Records Store, the I Am The Moon deluxe box is individually-number stamped and comes in a die-cut box slipcase that contains special, exclusive items not available elsewhere, including:

Four 8″ x 8″ art prints of I Am The Moon’s beautifully illustrated covers – with one hand-signed by Derek and Susan

Photo book with dozens of images taken during the band’s filming of I Am The Moon: The Film

Turntable slip mat

Lunar calendar print (8.5″ x 12″) Limited to 2,000 stamped, individually-numbered copies

The post Tedeschi Trucks Band announces ‘I Am The Moon’ appeared first on Blues Matters Magazine.

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RIAA Addresses IP Protections in USTR’S 2024 Unique 301 Report

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[[{“value”:”“The 2024 Special 301 Report provides a vital snapshot of the environment for music creators globally as well as a critical blueprint for US engagement with countries around the world to support them,” commented RIAA Chairman & CEO Mitch Glazier. 
The post RIAA Addresses IP Protections in USTR’S 2024 Special 301 Report appeared first on RIAA.”}]]

WASHINGTON, DC ( April 25, 2024) — Today, the United States Trade Agent (USTR) provided its yearly Unique 301 Report relating to deficiencies of copyright and other kinds of copyright (IP) securities in specific nations. The Report examines the existing legal, regulative, judicial, and enforcement actions on IP in those nations and recognizes the effect on United States music developers while likewise highlighting systemic concerns for United States federal government engagement to advance imagination worldwide. Amongst the cross-cutting concerns that show the music neighborhood’s input into the Unique 301 procedure, USTR Ambassador Katherine Tai acknowledged the important value of American developers’ contributions to United States tasks and financial development, keeping in mind Stakeholders from both unions and business in the imaginative sectors have actually highlighted the value of copyright defense and enforcement to their incomes and companies.”

” The 2024 Unique 301 Report offers an essential photo of the environment for music developers worldwide in addition to a vital plan for United States engagement with nations around the globe to support them, commented RIAA Chairman && CEO Mitch Glazier ” We value acknowledgment of uncomfortable patterns in many areas that would hurt the American music neighborhood, consisting of constraints on streaming rights, inadequate enforcement, and stream-ripping piracy, and the recognition of favorable advancements relating to copyright defense and enforcement. We motivate the United States Federal government in future Reports to resolve appropriate copyright defense in the context of AI as dedicated to by President Biden in the G7, and to oppose broad exceptions consisting of text and information mining. We likewise advise the United States Federal government to engage with nations based on continuous trade examinations, and to resolve deeply bothersome propositions on copyright and agreement matters, especially in South Africa.”

” We thank Ambassador Tai and the whole interagency group for their vigorous deal with this essential procedure. RIAA highly supports the United States Federal government’s extensive technique to promoting American developers globally, consisting of through existing and future IP discussions with the European Union, India and the UK.”

The post RIAA Addresses IP Protections in USTR’S 2024 Unique 301 Report appeared initially on RIAA

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Year-End 2023 RIAA U.S. Latin Music Income Report/ Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos

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[[{“value”:”Latin music in the U.S. has increased in popularity and value over the last eight years, outpacing overall recorded music… Read More »
The post Year-End 2023 RIAA U.S. Latin Music Revenue Report / Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos appeared first on RIAA.”}]]

Latin music in the U.S. has actually increased in appeal and worth over the last 8 years, outmatching general documented music each year throughout this duration of strong development. In 2023, the category struck its greatest mark yet at $1.4 billion, representing 16% development over 2022. Changed for inflation, Latin music market profits in 2023 are now 14% above the previous peak in 2005.

LINK TO FULL ENGLISH REPORT HERE

INFORME DE FIN DE AÑO 2023 DE RIAA SOBRE INGRESOS DE MÚSICA LATINA EN ESTADOS UNIDOS

La música latina en los EE. UU. creció en cuanto a su popularidad y valor durante los últimos ocho años, superando a la música grabada en basic cada año durante este período de fuerte crecimiento. En 2023, el género alcanzó su marca más alta con $1400 millones, que representa un crecimiento del 16 % con respecto a 2022. Ajustados por la inflación, los ingresos del mercado de la música latina en 2023 ahora están un 14 % por encima del pico previo en 2005.

ENLACE AL INFORME COMPLETO EN ESPAÑOL AQUÍ

The post Year-End 2023 RIAA U.S. Latin Music Income Report/ Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos appeared initially on RIAA

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Live Music On I-Drive Orlando

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Live Music on I-Drive Orlando; Supper & & Dancing at Cuba Libra. Friday’s & & Saturday’s; DJ Night. Friday and Saturday; Live Acoustic Music. Fridays and Saturdays.

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The post Live Music On I-Drive Orlando appeared initially on Weekly Calendar

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