Connect with us

Music

Michael Ray Celebrates ‘Whiskey And Rain’ With Writers Jesse Frasure & Josh Thompson

Published

on

Pictured (L-R, back row): Big Machine’s Mike Molinar, MV2’s Tony Harrell, Warner Music Nashville’s Ben Kline, BMI’s David Preston, Rhythm House’s Vanna Moua, Rhythm House’s Stevie Frasure; (L-R, front row): Josh Thompson, Michael Ray, Jesse Frasure. Photo: Steve Lowry / BMI

Music industry members gathered on Thursday (April 21) to celebrate Michael Ray‘s fourth No. 1, the moody country hit, “Whiskey And Rain.” The party was held at The Local by BMI, and hosted by the PRO’s David Preston.

The ever-illusive outside song was written by two country hitmakers, Josh Thompson and Jesse Frasure. It was Thompson’s seventh No. 1 and Frasure’s twentieth. “Whiskey And Rain” was produced by Ross Copperman, who was not able to attend the celebration. The writers later guessed that the successful writer-producer was probably busy cutting his next No. 1.

Big Machine Music’s Mike Molinar gave the first publisher presentation. “We know that there are so many teams behind each of the people here on stage, especially the Warner Brothers promo team, A&R team, art and creative. We know how hard it is to get a No. 1 these days,” Molinar said.

The aggressive WEA promo team definitely earned their recognition, as “Whiskey And Rain” took 62 weeks to hit the chart pinnacle. It was also Ray’s first two-week chart-topper.

Pictured (L-R, back row): From Warner Music Nashville’s Radio Team – James Marsh, Stephanie Hagerty, Chad Schultz, Chris Fabiani, Kayla Burnett, Kristen Williams; (L-R, front row): Josh Thompson, Michael Ray, Jesse Frasure. Photo: Steve Lowry / BMI

MV2’s Tony Harrell was on hand to speak about Thompson. “‘Whiskey And Rain’ sounds like country radio,” he said. “Josh Thompson, I’m glad I’m standing by you. We are so proud of you at MV2.”

Rhythm House’s Stevie Frasure was up next to say a few words. She spoke eloquently about the magnitude of Ray cutting an outside song that was written by only two writers.

“It’s so awesome when you have an artist who, not only is a badass performer and artist, but a songwriter as well who still listens to those outside songs. We could not appreciate you more,” Frasure said, before thanking Morris Higham Management’s Buffy Cooper, who helped get the song to Ray.

“It’s a two-way y’all,” Frasure added. “I feel like we’re back in the ’90s here.”

Warner Music Nashville’s Ben Kline was on hand to recognize Ray, the Warner staff, and all team members involved in the success of “Whiskey And Rain.” “210 million global streams. This is just one of those songs that just keeps giving” Kline said. “It is a testament to the team and how hard they fight when they have a hit song.”

When it came time to hear from the men on stage, Thompson kicked things off. One of his children charmed the crowd when Thompson said “Hey” into the mic and the baby responded with an enthusiastic, “Hi!”

Thompson thanked God, his family, Ray and Frasure, and the team. “Michael Ray just crushed this thing,” he said. “He took it to the next level. It felt like a smash to me the first time I heard it and I thank God that it translated to country radio.”

Frasure echoed his wife and fellow publisher when he spoke. “For writers and publishers, outside songs are the holy grail. We still believe that they exist but they’re getting hard to find out there,” he said. “We’re very grateful for this. It means the world to us.”

When Ray spoke, he first recognized host Preston, who apparently was the first person to take a meeting with him in Nashville. “David, I wouldn’t be up here with you,” he said.

The artist recognized the WEA team who fought for 60 weeks to ring the bell. He also thanked his team members. Ray spoke very graciously about Thompson and Frasure, saying that they were both future hall of fame songwriters.

“I love writing songs. I feel like I’m getting into my best years of writing, I feel like I know who I am as an artist and what I want to say,” Ray said. “That being said, we wouldn’t have the foundation of Nashville if it wasn’t for songwriters and I feel like they’re the last person on the totem pole a lot of times.

“When I go back to my heroes—Kenny Chesney, George Strait, Jason Aldean, Lee Brice, and Merle Haggard—they cut outside songs. My heroes cut outside songs,” he said. “We’re a town that was built on songwriters. It means more to me than y’all know to say that I did not write this song.”

Pinnacle Bank, who partners with BMI for No. 1 parties, made a donation in Frasure’s name to Wags and Walks and in Thompson’s name to St. Jude Children’s Research Hospital.

The post Michael Ray Celebrates ‘Whiskey And Rain’ With Writers Jesse Frasure & Josh Thompson appeared first on MusicRow.com.

FlipsideMediaET eMagazine

Continue Reading

Music

RIAA Addresses IP Protections in USTR’S 2024 Unique 301 Report

Published

on

By

[[{“value”:”“The 2024 Special 301 Report provides a vital snapshot of the environment for music creators globally as well as a critical blueprint for US engagement with countries around the world to support them,” commented RIAA Chairman & CEO Mitch Glazier. 
The post RIAA Addresses IP Protections in USTR’S 2024 Special 301 Report appeared first on RIAA.”}]]

WASHINGTON, DC ( April 25, 2024) — Today, the United States Trade Agent (USTR) provided its yearly Unique 301 Report relating to deficiencies of copyright and other kinds of copyright (IP) securities in specific nations. The Report examines the existing legal, regulative, judicial, and enforcement actions on IP in those nations and recognizes the effect on United States music developers while likewise highlighting systemic concerns for United States federal government engagement to advance imagination worldwide. Amongst the cross-cutting concerns that show the music neighborhood’s input into the Unique 301 procedure, USTR Ambassador Katherine Tai acknowledged the important value of American developers’ contributions to United States tasks and financial development, keeping in mind Stakeholders from both unions and business in the imaginative sectors have actually highlighted the value of copyright defense and enforcement to their incomes and companies.”

” The 2024 Unique 301 Report offers an essential photo of the environment for music developers worldwide in addition to a vital plan for United States engagement with nations around the globe to support them, commented RIAA Chairman && CEO Mitch Glazier ” We value acknowledgment of uncomfortable patterns in many areas that would hurt the American music neighborhood, consisting of constraints on streaming rights, inadequate enforcement, and stream-ripping piracy, and the recognition of favorable advancements relating to copyright defense and enforcement. We motivate the United States Federal government in future Reports to resolve appropriate copyright defense in the context of AI as dedicated to by President Biden in the G7, and to oppose broad exceptions consisting of text and information mining. We likewise advise the United States Federal government to engage with nations based on continuous trade examinations, and to resolve deeply bothersome propositions on copyright and agreement matters, especially in South Africa.”

” We thank Ambassador Tai and the whole interagency group for their vigorous deal with this essential procedure. RIAA highly supports the United States Federal government’s extensive technique to promoting American developers globally, consisting of through existing and future IP discussions with the European Union, India and the UK.”

The post RIAA Addresses IP Protections in USTR’S 2024 Unique 301 Report appeared initially on RIAA

FlipsideMediaET Tampa Bay Music • Live Music & & Music News “Whatever Music”

Continue Reading

Music

Year-End 2023 RIAA U.S. Latin Music Income Report/ Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos

Published

on

By

[[{“value”:”Latin music in the U.S. has increased in popularity and value over the last eight years, outpacing overall recorded music… Read More »
The post Year-End 2023 RIAA U.S. Latin Music Revenue Report / Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos appeared first on RIAA.”}]]

Latin music in the U.S. has actually increased in appeal and worth over the last 8 years, outmatching general documented music each year throughout this duration of strong development. In 2023, the category struck its greatest mark yet at $1.4 billion, representing 16% development over 2022. Changed for inflation, Latin music market profits in 2023 are now 14% above the previous peak in 2005.

LINK TO FULL ENGLISH REPORT HERE

INFORME DE FIN DE AÑO 2023 DE RIAA SOBRE INGRESOS DE MÚSICA LATINA EN ESTADOS UNIDOS

La música latina en los EE. UU. creció en cuanto a su popularidad y valor durante los últimos ocho años, superando a la música grabada en basic cada año durante este período de fuerte crecimiento. En 2023, el género alcanzó su marca más alta con $1400 millones, que representa un crecimiento del 16 % con respecto a 2022. Ajustados por la inflación, los ingresos del mercado de la música latina en 2023 ahora están un 14 % por encima del pico previo en 2005.

ENLACE AL INFORME COMPLETO EN ESPAÑOL AQUÍ

The post Year-End 2023 RIAA U.S. Latin Music Income Report/ Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos appeared initially on RIAA

FlipsideMediaET Tampa Bay Music • Live Music & & Music News “Whatever Music”

Continue Reading

Music

Live Music On I-Drive Orlando

Published

on

By

Live Music on I-Drive Orlando; Supper & & Dancing at Cuba Libra. Friday’s & & Saturday’s; DJ Night. Friday and Saturday; Live Acoustic Music. Fridays and Saturdays.

( Feed created with FetchRSS)

The post Live Music On I-Drive Orlando appeared initially on Weekly Calendar

FlipsideMediaET eMagazine • “Whatever Music”

Continue Reading

Music News Trending