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Russell Dickerson Celebrates Sold Out, ‘Home Sweet’ Show At The Ryman

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Russell Dickerson. Photo: Thomas Heney

Russell Dickerson brought his electric, headlining “All Yours All Night Tour” to Nashville’s historic Ryman auditorium on Friday (March 25). Closing out the first leg of his tour with the sold-out hometown show, Dickerson delivered hit after hit over the course of 90 minutes.

Opening with the tour’s rock-infused, electric guitar heavy namesake, the crowd didn’t wait long before getting to their feet and singing along. Dickerson went into his Platinum-certified single “Every Little Thing” before addressing the already buzzing audience.

“This isn’t even real life. It feels so good to say ‘Nashville.’ It’s my hometown, it’s where I grew up. It feels good to be home,” the Triple Tigers recording artist said. “There are so many friends, family and team members in the house tonight, and so many people that aren’t even from Nashville! Thank you so much for coming out tonight.”

Russell Dickerson. Photo: Thomas Heney

Backed by his four-piece band and killer production, Dickerson busted through a string of hits and fan-favorites, including the sentimental “Forever For A Little While,” the sexy “Honey,” and the country rocker “Never Get Old,” which also featured a medley of Nitty Gritty Dirt Band‘s “Fishing In The Dark” and Garth Brooks‘ “Ain’t Goin’ Down (‘Til The Sun Comes Up).”

The multi-Platinum artist surprised the hometown crowd as he broke out into “She Likes It” with special guest and pop singer-songwriter Jake Scott, who joined Dickerson for a special studio remix of the song last year. He also gave a stunning performance of “Home Sweet,” a single that spawned a reimagined version with Lady A late last year.

Throughout the evening, Dickerson was fighting back tears, the first wave of which came when performing his debut single, “Yours.”

“Thank you guys so much for singing this. I love you Nashville,” he whispered halfway through. “I was just showing pictures to my team from a show where we played this exact same [set]. I was basically swinging from the rafters of the club and I swiped to a picture of the crowd and there was one person standing in that entire room. The fact that we can go from one person that’s standing in a random club to a sold out Ryman show means more to me than y’all know,” he shared as the audience met him with roaring applause.

“If you’ve been following me for the last 12 years then you know it hasn’t been a quick journey… I can’t thank y’all enough. This means the absolute world. I could go on all night, but I just want to sing this with you guys,” Dickerson added before finishing out the triple-Platinum hit with the crowd singing along to every word.

Dickerson also shared a handful of acoustic performances throughout the night, including the vulnerable “Waiting For You,” the Lori McKenna and Casey Brown-penned “Just Like Your Mama,” and the title track from his 2020 sophomore album Southern Symphony.

Before leaving the stage, the beloved entertainer made sure to bring the energy and the dance moves as he exploded into fan-favorite “MGNO (My Girl’s Night Out),” which had the entire room on their feet and singing along to bits of WALK THE MOON‘s “Shut Up and Dance” and Whitney Houston‘s “I Wanna Dance With Somebody (Who Loves Me).” The fun continued as Dickerson also invited rising artist Breland, who opened the night, back to the stage to perform his breakout hit “My Truck,” as well as a high-energy duet of Dickerson’s “It’s About Time.”

Coming back out for his two-song encore, Dickerson was accompanied by only a guitar as he addressed the crowd before sining his No. 1 hit “Love You Like I Used To.”

Russell Dickerson. Photo: Thomas Heney

“I just want every single one of you to know how grateful we are for every single one of you being here tonight. No one would be on this stage and none of us would be in business without live music, and thank God live music is back… This song hit right in the peak of the pandemic, and I thought my career was over because we couldn’t play shows anymore,” he said before rolling through a long list of thanks to his label (Triple Tigers), management (Dennis Entertainment), booking agency (CAA), and more.

“Through this pandemic [my team] pushed this song all the way to No. 1 for two weeks in a row. Thank you country radio for believing in me and for believing in this song. I don’t usually say this but I have to brag on my team and country radio, because while we were at home stuck in quarantine and couldn’t see you or play songs for you, this song set a record for the longest running top 10 song in country radio history. I love you and I am so grateful for every single one of you, from the bottom of my heart.”

The song, which slowly built from a lone guitar into a full band affair, saw the deafening crowd scream along to every word. Dickerson took his time to bask in the roaring applause and standing ovation, once again fending off tears.

The set wrapped with arguably Dickerson’s biggest song, the feel good “Blue Tacoma,” which featured a floating sea of confetti to cap off the night for the glowing performer who was smiling ear to ear all evening.

Before taking the stage, Dickerson was surprised with a commemorative plaque for his recent RIAA Gold certification for “Home Sweet” selling 500,000 units since its release.

The newly-added second leg of the “All Yours All Night Tour” will kick off in the UK at London’s Electric Ballroom on Oct. 12.

The post Russell Dickerson Celebrates Sold Out, ‘Home Sweet’ Show At The Ryman appeared first on MusicRow.com.

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Singer-Actor FKA branches & & Warner Music Group CEO Robert Kyncl Supporter for Voice & & Similarity Defenses at Senate Judiciary Hearing

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[[{“value”:”Federal Guardrails Against Deceptive AI-Generated Deepfakes and Voice Clones Gains Momentum in Key Senate Subcommittee
The post Singer-Actor FKA twigs & Warner Music Group CEO Robert Kyncl Advocate for Voice & Likeness Protections at Senate Judiciary Hearing appeared first on RIAA.”}]]

Federal Guardrails Versus Misleading AI-Generated Deepfakes and Voice Clones Gains Momentum in Secret Senate Subcommittee

Visualized (L-R): Warner CEO Robert Kyncl & & FKA branches share impactful individual testament

FKA branches affirms on behalf of voice and similarity approval relating to AI

Warner Music Group CEO Robert Kyncl uses viewpoint to Senate Committee

WASHINGTON, DC ( April 30, 2024) — Vocalist, songwriter, manufacturer, dancer & & star Tahliah Debrett Barnett (“ FKA branches“) and Warner Music Group CEO Robert Kyncl shared effective testament throughout a Senate Judiciary Subcommittee on Copyright hearing previously today in the country’s capital about the significance of guardrails to safeguard a person’s voice and similarity along with the obligation of tech platforms as expert system (AI) quickly develops. The conversation concentrated on the bipartisan Support Originals, Foster Art, and Keep Home Entertainment Safe (NO PHONIES) Act — a proposition presented by Senators Chris Coons, Marsha Blackburn, Amy Klobuchar, and Thom Tillis that would provide federal securities versus using non-consensual digital duplications in audiovisual works or sound recordings for all Americans.

Multi-hyphenate skill, FKA branches throughout acknowledged the significance of approval from the specific whose being is the really essence of this innovation. ” The reality that someone might take my voice, modification lyrics, modification messaging or deal with an artist that I didn’t, it actually leaves me really susceptible. If legislation isn’t put in location to safeguard artists, not just will we let artists who actually appreciate what we do– that have actually invested a very long time establishing themselves– however it would likewise indicate that fans would not have the ability to rely on individuals that they have actually invested a lot of years purchasing.”

In reaction to claims that deepfakes of living or departed individuals are required for filmmaking, FKA branches described, ” I believe the issue is, if you have the ability to utilize an artist’s voice and similarity without approval about their life story, you’re offering the impression that it’s the equivalent of an autobiography, rather a bio … which’s a confusion. If you have the ability to utilize my voice and my precise face, [then] a group of authors in Hollywood that wish to over dramatize things and make it more awful or fantastical, that’s what makes me actually worried, uneasy and susceptible. If it’s a star, we understand to take it with a pinch of salt. If it is the individual themself, then it simply feels too clear and unfair.”

Notified by his previous experience as a magnate at YouTube and Netflix, Kyncl spoke from deep understanding and regard for both innovation and developers and required clear guardrails for AI. “ Through AI, it is really simple for somebody to impersonate me and trigger all way of havoc. They might talk to an artist in a manner that might damage our relationship or state incorrect things that would harm our service.”

Kyncl summarized, “the fact is, everybody is susceptible.”

In a watershed minute, in reaction to questioning from Senator Mazie Hirono, all witnesses present consisting of those requiring modifications or limitations to the proposed legislation concurred that Congress must enact brand-new securities for people’ voices and images.

Attending to complimentary expression issues, SAG-AFTRA National Executive Director & & Chief Mediator Duncan Crabtree-Ireland included, ” I am worried that we are just taking a look at one side of the First Modification factor to consider here. The opposite is the right that each people needs to our own flexibility of speech to be able to interact our concepts, to associate ourselves with concepts that we wish to so and not be related to concepts we disagree with– that is being actually stomped on by this unconfined capability of individuals without a federal right.”

Senator Tillis stated, “ I’m pleased that we’re using up this costs. I do feel highly we ought to do whatever we can to attempt and move it in this Congress.”

RIAA Chairman & & CEO Mitch Glazie r praised the Committee’s thoughtful evaluation of the NO FAKES Act conversation draft. “ Today’s hearing sets the table for swift and strong action by Congress to safeguard every American from unconsented deepfakes and voice clones. Engaging, individual testament from both FKA branches, Warner CEO Robert Kyncl, and SAG-AFTRA National Director & & Chief Mediator Duncan Crabtree-Ireland made a frustrating case for brand-new legislation safeguarding developers’ incomes and tradition and offering all of us the power to stop bad stars from utilizing our voices and images to create violent deepfakes.”

At today’s hearing, Chairman Coons revealed strategies to complete and officially present the NO FAKES Act this summertime. Together with your home No AI Scams Act, both chambers are now progressing with nationwide steps to safeguard people’ voice and similarity rights.

Kyncl’s op-ed released today in The Hill, entitled 4 Guidelines To Make Expert System Work For People even more set out the significance of Authorization, Money Making, Attribution and Provenance as AI is established. He revealed, ” These propositions would develop clear guideline, assisting to avoid a world where AI can proper an individual’s identity without their approval. This would likewise have a ‘halo impact,’ assisting to suppress false information, identity theft, and hate-fueled material.”

Watch The NO FAKES Act: Safeguarding Americans from Unauthorized Digital Replicas hearing here

The post Singer-Actor FKA branches & & Warner Music Group CEO Robert Kyncl Supporter for Voice & & Similarity Defenses at Senate Judiciary Hearing appeared initially on RIAA

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RIAA Addresses IP Protections in USTR’S 2024 Unique 301 Report

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[[{“value”:”“The 2024 Special 301 Report provides a vital snapshot of the environment for music creators globally as well as a critical blueprint for US engagement with countries around the world to support them,” commented RIAA Chairman & CEO Mitch Glazier. 
The post RIAA Addresses IP Protections in USTR’S 2024 Special 301 Report appeared first on RIAA.”}]]

WASHINGTON, DC ( April 25, 2024) — Today, the United States Trade Agent (USTR) provided its yearly Unique 301 Report relating to deficiencies of copyright and other kinds of copyright (IP) securities in specific nations. The Report examines the existing legal, regulative, judicial, and enforcement actions on IP in those nations and recognizes the effect on United States music developers while likewise highlighting systemic concerns for United States federal government engagement to advance imagination worldwide. Amongst the cross-cutting concerns that show the music neighborhood’s input into the Unique 301 procedure, USTR Ambassador Katherine Tai acknowledged the important value of American developers’ contributions to United States tasks and financial development, keeping in mind Stakeholders from both unions and business in the imaginative sectors have actually highlighted the value of copyright defense and enforcement to their incomes and companies.”

” The 2024 Unique 301 Report offers an essential photo of the environment for music developers worldwide in addition to a vital plan for United States engagement with nations around the globe to support them, commented RIAA Chairman && CEO Mitch Glazier ” We value acknowledgment of uncomfortable patterns in many areas that would hurt the American music neighborhood, consisting of constraints on streaming rights, inadequate enforcement, and stream-ripping piracy, and the recognition of favorable advancements relating to copyright defense and enforcement. We motivate the United States Federal government in future Reports to resolve appropriate copyright defense in the context of AI as dedicated to by President Biden in the G7, and to oppose broad exceptions consisting of text and information mining. We likewise advise the United States Federal government to engage with nations based on continuous trade examinations, and to resolve deeply bothersome propositions on copyright and agreement matters, especially in South Africa.”

” We thank Ambassador Tai and the whole interagency group for their vigorous deal with this essential procedure. RIAA highly supports the United States Federal government’s extensive technique to promoting American developers globally, consisting of through existing and future IP discussions with the European Union, India and the UK.”

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Year-End 2023 RIAA U.S. Latin Music Income Report/ Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos

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[[{“value”:”Latin music in the U.S. has increased in popularity and value over the last eight years, outpacing overall recorded music… Read More »
The post Year-End 2023 RIAA U.S. Latin Music Revenue Report / Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos appeared first on RIAA.”}]]

Latin music in the U.S. has actually increased in appeal and worth over the last 8 years, outmatching general documented music each year throughout this duration of strong development. In 2023, the category struck its greatest mark yet at $1.4 billion, representing 16% development over 2022. Changed for inflation, Latin music market profits in 2023 are now 14% above the previous peak in 2005.

LINK TO FULL ENGLISH REPORT HERE

INFORME DE FIN DE AÑO 2023 DE RIAA SOBRE INGRESOS DE MÚSICA LATINA EN ESTADOS UNIDOS

La música latina en los EE. UU. creció en cuanto a su popularidad y valor durante los últimos ocho años, superando a la música grabada en basic cada año durante este período de fuerte crecimiento. En 2023, el género alcanzó su marca más alta con $1400 millones, que representa un crecimiento del 16 % con respecto a 2022. Ajustados por la inflación, los ingresos del mercado de la música latina en 2023 ahora están un 14 % por encima del pico previo en 2005.

ENLACE AL INFORME COMPLETO EN ESPAÑOL AQUÍ

The post Year-End 2023 RIAA U.S. Latin Music Income Report/ Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos appeared initially on RIAA

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