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My Music Row Story: Shane Stevens

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Shane Stevens

The “My Music Row Story” once a week column attributes significant participants of the Nashville songs sector picked by the MusicRow content group. These people offer in essential duties that assist breakthrough and also advertise the success of our sector. This column highlights the very useful individuals that maintain the wheels rolling and also the songs having fun.

Shane Stevens is a Grammy and also ACM chose singer-songwriter that has actually created for a range of nation and also pop acts, consisting of Walker Hayes, Carrie Underwood, Lady A, Sara Evans, Kellie Pickler, Ronnie Milsap, Jo Dee Messina, Jordin Sparks, Fifth Harmony, Little Mix, Selena Gomez, Ariana Grande and also Meghan Trainor

The South Carolina indigenous attained his initial No. 1 on the Billboard Hot Country Songs graph in 2010 with “American Honey,” done by Lady A and also co-written with Hillary Lindsey and also Cary Barlowe After accomplishing much success in composing c and w, Stevens intended to expand his songwriting perspective and also relocated to Los Angeles in 2014 to go after a brand-new instructions as an author, singing manufacturer, and also musician programmer in the pop and also R&B globe.

While in Los Angeles, Stevens added tracks to a number of pop musicians, such as “Super Bad” and also “Goodie Bag” by Jesse McCartney, “Everlasting Love” by Fifth Harmony, “Paper Doll” by Bea Miller, “Step On Up” by Ariana Grande, “Love Me or Leave Me” by Little Mix, “Woman Up” by Meghan Trainor, “Nobody” by Selena Gomez, and also “I’ll Chase The Sky,” “No Better Feelin'” and also “Neighsayer” on the 2017 My Little Pony soundtrack.

Stevens’ newest distinctions consists of offering a c and w musical flick to Paramount Pictures for which he created all initial structures along with childhood years buddy Karyn Rochelle He additionally co-wrote Walker Hayes‘ blockbuster struck “Fancy Like.”

MusicRow: Where did you mature? What led you right into songs?

I was birthed in Myrtle Beach, South Carolina. I was elevated in a little community called Calabash, North Carolina, precisely the state line. My father was a shrimper and also my household operated in the dining establishment service. My moms and dads led appreciation and also praise in church, to ensure that’s exactly how I fell for songs. I despised nation songs– since my moms and dads liked nation songs!

My sibling and also I were stressed with Michael Jackson My 4th elementary school educator was the initial individual to ever before play me George Michael, which ended up being a huge impact for me. She stated, “One day you’re mosting likely to be similar to him. You’re gon na compose tracks!” She was talking with this little gay child that was being exiled and also harassed by everyone else, comforting me that I was mosting likely to be all right.

When did you discover to enjoy c and w?

Around 1994, I remained in secondary school. My buddy Tina obtained her vehicle driver’s certificate initially, so I would certainly ride with her in her Subaru to institution. We had a bargain that if she would certainly pay attention to Mariah Casey, George Michael, Paula Abdul, and also Whitney Houston en route there, I would certainly pay attention to her bad c and w en route back. (laughs)

She transformed me onto Wynonna Judd She played me “Is There Life Out There?” by Reba, and also some Dolly things. It’s Tina’s mistake, since she made it cool down for me. And after that I ended up being stressed with the narration.

Shane Stevens, Karyn Rochelle

How did you reach Nashville?

I had actually begun doing karaoke competitions and also things like that. I would certainly sing Clint Black‘s “Put Yourself In My Shoes” and also Alan Jackson‘s “Here In The Real World.” I simply obtained truly right into it. I mosted likely to Opryland tryouts in Myrtle Beach and also I satisfied that would certainly become my buddy, Karyn Rochelle.

When I was performed with institution, she asked me if I intended to most likely to Nashville with her. I was 17 when I came to Nashville.

What occurred when you obtained below?

[Karyn and I] were composing and also I [decided to go] to hair institution, for my “simply in instance occupation,” and also wound up helping Earl Cox and also their group at Trumps [Salon] doing hair expansions. We did Sara Evans, Tammy Wynette, everyone. All these ladies that I intended to compose tracks for, I wound up being their beautician.

At the very same time, Karyn had actually gone to Crutchfield [Music Publishing] for 3 or 4 years, and afterwards she obtained authorized with Pat Finch over at Famous Music. Already I had a number of tracks that I truly boasted of and also a musician task going. She took my songs to Pat and also I obtained a call from Pat. He stated, “Come over, I intend to fulfill you.” And after that he authorized me [to my first publishing deal].

After a long time in Nashville, you relocated to New York, prior to returning to Nashville in 2006. What brought you back?

[While in New York], I wound up sending out [a song I wrote] to my buddy Beka Tischker, that operated at Major Bob. She offered it to Bob Doyle and afterwards he intended to listen to even more tracks. I sent out some various other tracks that I had, he liked it, and also after that I obtained a phone telephone call. I was resting at the Good Enough to Eat [restaurant] on the top west side, throughout from bench that I operated in called The Raccoon Lodge. Mike Doyle called and also stated, “Hey Shane, this is Mike Doyle. I intend to supply you a posting bargain.” That remained in 2006, which was the last time I did hair– aside from for enjoyable.

I was cost-free as a bird in New York City. I obtained a lot power from it and also I liked producing there, however I would certainly return to Nashville and also remain for a couple of weeks at once. Jesse Frasure was my daily author, and also they simply placed me with the ideal individuals. That’s exactly how I satisfied Cary Barlowe and also Hillary Lindsay.

Shane Stevens, Hillary Lindsey

You had your initial nation struck with Lady A’s “American Honey” in 2019. What was that like?

Blew my freaking mind. Hillary, Cary and also I mosted likely to Gatlinburg with each other for the very first time and also we began composing that track there. We really did not complete it, we simply had a number of various concepts. We brought them all residence and also Jesse Frasure resembled, “Y’ all have actually reached end up that track. That’s the one.” That opened up the floodgates and afterwards whatever truly began to take place.

You co-wrote among the greatest hits of 2021, “Fancy Like” by Walker Hayes. Just how enjoyable has that flight been?

I understood[it was going to be a hit] I understood it in my heart, and also I understood it in my spirit. I informed everyone in the space that day.

Walker claims we created [“Fancy Like”] for individuals that most likely to shopping center; and also we truly did. We additionally created it for individuals like us, simply typical nation individuals [who feel like] mosting likely to an Applebee’s is an upgrade.

When you’re the songwriter, you’re out the phase typically, so you’re not seeing the response of a group. Due to the fact that of Instagram and also TikTok, when a great deal of that things can be so negative and also painful, enjoying the happiness from individuals and also obtaining to experience it that method has actually been the coolest point that has actually ever before occurred to me.

Selena Gomez & & Shane Stevens in the workshop.

In enhancement to your success in c and w with tracks videotaped by Sara Evans, Carrie Underwood, Ronnie Milsap, and also a lot more, you’ve had a great deal of success in the pop room too, composing tracks with and also for Selena Gomez, Ariana Grande, Little Mix, and also Jesse McCartney. That have been a few of your greatest champs?

Jesse Frasure, Mike Doyle, and also Bob Doyle. Leslie Roberts offered me my initial cut over at RCA, and afterwards she mosted likely to BMI and also she’s still been my champ. Whitney Daane truly likes me and also I truly enjoy her. Stephanie Wright and also Allison Jones[are some more] I have truly fantastic connections with individuals. I’m not fair-weathered, I’m in it with ’em when it’s reduced, I’m in it with ’em when it’s high.

Pictured (leading row, L-R): Bob Doyle (Owner, Purplebeat), Eric Daigle (Co-Head of Creative, Purplebeat), Mike Doyle (GM Purplebeat); (lower row, L-R): Graham Kothman (Artist Relations Coordinator, Purplebeat ), Shane Stevens and also Andy Friday (Co-Head of Creative, Purplebeat)

Now you’re back with Bob Doyle at Purplebeat

Now I’m back with Bob. He employed my hubby, Eric Daigle, to assist run Purplebeat. It seems like I’m back with household and also having this flight with “Fancy Like”– which appeared the week that I authorized my bargain at Purplebeat. We’re all winning with each other. It really feels great to be on that particular group.

What is among the proudest minutes of your occupation?

There’s simply a lot of. Lots of people would certainly claim their initial No. 1 celebration or something, however I sang at Carnegie Hall a very long time earlier. I sang a solo on the phase of Carnegie Hall and also Elaine Stritch presented me. There was a snow storm and also what’s so insane is I had openings in both bases of my footwear since I could not manage to obtain brand-new gown footwear. They were incredibly adorable, you would certainly never ever recognize, however my socks were saturated. As well as I was singing this attractive track on the Carnegie phase. That possibly appears foolish to lots of people, since I had actually no place near made it, however getting on a phase of that dimension was the greatest desire happened.

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Trisha Yearwood & Questlove ‘This Is Spinal Tap’ Sequal

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Garth Brooks, Elton John & & Paul McCartney will also make cameos.

Trisha Yearwood and Questlove are the latest stars to join the cast of This Is Spinal Tap 2, which is now in production more than 40 years after Rob Reiner’s original rock music mockumentary premiered in 1984.

The sequel will find Reiner both reprising his role as Martin “Marty” Di Bergi and returning to direct, with Christopher Guest, Michael McKean and Harry Shearer stepping back into their characters as the titular heavy metal band. Previously confirmed cameos include Garth Brooks, who is married to Yearwood, as well as Sirs Paul McCartney and Elton John.

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Plotted by Reiner and the main cast, Spinal Tap 2 will pick up 15 years into Spinal Tap’s apparent hiatus, with the band deciding to reunite for one final concert. Shooting in New Orleans reportedly began in February.

Regarded as the first-ever mockumentary, Reiner’s original cult classic focused on the fictional rock trio as they embarked on their 1982 U.S. tour in support of their controversial Smell the Glove album. In 2002, it was named as a “culturally, historically, or aesthetically significant” film by the Library of Congress and was selected for preservation by the National Film Registry.

In a December interview with Billboard, Brooks teased that the sequel would boast a “few other surprises” in addition to its A-list cameos. “If you think you have laughed before, Jiminy Christmas …,” he said at the time. “First of all, I was in love with Spinal Tap, in love with the original movie. The fact that it’s coming back, it’s gon na be neat to be a part of this. Because this is history, man.”

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Zac Brown Band Reveals Tune From New Covers Project

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The Zac Brown Band has released a jam-heavy version of “Baba O’Riley,” on all streaming platforms. The track is the newest single from the group’s first ever live covers album, From the Road, Vol. 1: Covers, out Nov. 10.

“Baba O’Riley” was recorded live in 2016 at Boston’s Fenway Park, which holds a special place in both the band’s heart and career. As Fenway Music Hall of Fame members, Zac Brown Band made history in August, selling out the iconic stadium for the 14th time and marking the Park’s 100th concert.



Releasing via Brown’s own label Home Grown Music, From the Road, Vol. 1: Covers includes tracks spanning over 11 years and showcases a selection of performances in iconic venues from the ZBB, joined by John Mayer, Steven Tyler, Darrell Scott, Mark O’Connor Band and Marcus King. ZBB’s rendition of Queen’s British-rock anthem “Bohemian Rhapsody,” as well as the recently released cover of “The Way You Look Tonight” made popular by Frank Sinatra, are on the the guilty pleasures album, along with tracks ranging from quintessential rock with “Sweet Emotion” and “Baba O’Riley,” to the Beatles’ pop cult classic “Eleanor Rigby,” to Jimmy Buffett’s tropical escape “Margaritaville” and more.

From the Road, Vol. 1: Covers Tracklist:
1. Bohemian Rhapsody (Live at The SSE Arena, Wembley, London, UK, 09.25.2015)
2. Baba O’Riley (Live at Fenway Park, Boston, MA, 08.20.2016)
3. Enter Sandman (Live at Wrigley Field, Chicago, IL, 09.14.2014)
4. Sabotage (Live at Windy City Smokeout, Chicago, IL, 7.16.2023)
5. Sweet Emotion feat. Steven Tyler (Live at Fenway Park, Boston, MA, 08.09.2015)
6. Whipping Post feat. Marcus King (Live at Bridgestone Arena, Nashville, TN, 10.17.2021)
7. Margaritaville (Live at Coastal Credit Union Music Park at Walnut Creek, Raleigh, NC, 10.05.2023)
8. It’s A Great Day To Be Alive feat. Darrell Scott (Live at Fenway Park, Boston, MA, 06.16.2018)
9. Eleanor Rigby feat. Darrell Scott & Mark O’Connor Band (Live at Fenway Park, Boston, MA, 06.16.2018)
10. With a Little Help From My Friends feat. Darrell Scott & Mark O’Connor Band (Live at Fenway Park, Boston, MA, 06.16.2018)
11. Neon feat. John Mayer (Live at the Southern Ground Music and Food Festival, Nashville, TN, 09.22.2012)
12. Use Somebody (Live at Jiffy Lube Live, Bristow, VA, 08.25.2019)
13. The Way You Look Tonight (Live at Irvine Meadows Amphitheatre, Irvine, CA, 06.04.2016)

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NMPA shoulders Music City Hitmakers collectively For Gold & Platinum Gala

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NMPA President & CEO David Israelite with Keith Urban. Photo: Tony Sarria

The National Music Publishers’ Association (NMPA) hosted its annual Gold & Platinum Gala at the Country Music Hall of Fame Wednesday night (Oct. 25). With throngs of songwriters and publishers fellowshipping together, the night was abuzz with reunions and celebrations.

Ashley Gorley with NMPA President & CEO David Israelite. Photo: Tony Sarria

The NMPA Gold & Platinum Program honors the songwriters of RIAA-certified singles. In an exciting carousel of honors, NMPA gave out plaques to 85 multi-Platinum songwriters Wednesday night, including hitmakers such as Luke Laird, Natalie Hemby, Chris DeStefano, Dallas Davidson and many more. As each songwriter joined the stage to receive their plaque, their peers and colleagues hooped and hollered as the hit song they wrote played over the speaker.

Flanking the plaque presentations were some awesome performances, with Ian Munsick kicking off the show with his Gold-certified single “Long Live Cowgirls,” which got a big reaction. Newly-inducted Nashville Songwriter Hall of Fame member, Keith Urban, gave a rousing performance of his “Blue Ain’t Your Color”—and was subsequently presented with a plaque for his 18 Gold and Platinum certifications.

The event culminated with the honoring of the top male and top female songwriters of the past year. Over the eligibility period, Ashley Gorley achieved an astounding 26 certifications, making him the Top Male Songwriter of the Year.

When speaking about Gorley, NMPA President & CEO David Israelite compared his success to that of star footballer Tom Brady, sharing that as a Kansas City Chiefs fan, he used to feel that he hated Brady because of his success, but eventually realized he admired his excellence. Rightly so, he encouraged those in the room to acknowledge the privilege of working with Gorley.

“Appreciate this moment. If you got to see Tom Brady play, or if you have gotten to see Ashley Gorley write, you are witnessing something that is greatness,” Israelite said.

Gorley was honored with a performance of “Rumor” from Lee Brice.

NMPA President & CEO David Israelite with Hillary Lindsey. Photo: Tony Sarria

Top Female Songwriter of the Year went to Hillary Lindsey, who scored 10 certifications overall. Israelite spoke about Lindsey’s impact as one of the most succesful country songwriters of her generation.

“She has been such an inspiration to all songwriters, [especially] to all women songwriters. What she’s done with Liz [Rose] and others, I don’t think we’re going to see much in our lifetimes.”

Lindsey was honored with a hair-raising rendition of “Girl Crush,” performed by Brittney Spencer.

During the event, Israelite officially launched the Gold & Platinum (G&P) Club. The Club encompasses all songwriters who have achieved Gold, Platinum and Multi-Platinum certifications. Israelite also announced that the Club’s Co-Chairs are Rose and Ryan Tedder.

Israelite said, “The NMPA Gold & Platinum Program is the most definitive measurement of a song’s success. We are thrilled with the growth of the Gala and the opportunity to recognize the most elite songwriters in Nashville. The unprecedented number of honorees at this year’s event demonstrates the expansion and dominance of country music. We congratulate the brilliant minds behind these songs and are excited about the launch of the Gold & Platinum Club which will foster community among them.”

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