Few soul artists may just each replicate and encourage the Civil Rights motion with the delicate motivation of the Impressions. As 1968 dawned, they unveiled a brand new anthem that turned into one in every of their maximum uplifting but — with the exception of that “We’re A Winner” would, inside of weeks of topping the R&B charts, be tinged with sorrow after the assassination of Dr. Martin Luther King.
The tune used to be written, as standard, by way of the Impressions’ influential and articulate frontman Curtis Mayfield, with manufacturing and association by way of Johnny Pate. The deeply soulful really feel, with harmonies by way of his bandmates Fred Money and Sam Gooden, used to be given additional intensity by way of horns and strings, by way of bassist Lenny Brown and drummer Billy Griffin (no longer the later member of the Miracles) and by way of the realized guitar of Phil Upchurch. The further feelgood component used to be a are living studio atmosphere with cheers and handclaps that made the monitor all of the extra impossible to resist.
“We’re A Winner” entered Billboard’s Most sensible Promoting R&B Singles at No.46 for the week finishing January 6, 1968, as Gladys Knight and the Pips endured at No.1 with “I Heard It Thru The Grapevine.” 9 weeks later, the Impressions had been themselves topping that chart, which the crowd, then fronted by way of Jerry Butler, had first reached nearly ten years previous with their debut hit “For Your Valuable Love.”
The new unmarried used to be their largest soul hit since “Amen” went to the R&B summit in 1964, and turned into the fourth in their six champions in that structure. Mayfield cleverly weaved in references to ‘Stay On Pushing,’ any other of the ones staples from 1964. “We’re A Winner” used to be additionally a No.14 hit at the Scorching 100, their easiest crossover since “People Get In a position” hit the similar pop top.
Concentrate to the most efficient of the Impressions on Apple Song and Spotify.
“We’re A Winner” used to be the hole tune at the Impressions’ album of the similar title, a luxurious instance of past due 60s soul which itself went to No.4 R&B and sounds simply as enjoyable greater than part a century later. Different highlights, to cite from Billboard’s assessment on the time, had them sounding “delicate” on “Moonlight Shadows,” “lilting” on “Romancing To The Folks Track” and “uptempo” on “No One To Love.” It additionally contains an surprising however pleasant model of Jimmy Webb’s “Up, Up and Away.”
Purchase or movement “We’re A Winner” on the album of the similar title.
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