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Some of the easiest issues about tenting is the end-of-the-day fireplace conversations—the easiest probability for deep and actual conversations… and the occasional ghost tale.

Ryan Bethea is shooting those conversations in his podcast, I Went Tenting, and it’s actually distinctive. 

“So it’s no longer technically tenting. Other people all the time ask us, ‘Are you truly tenting despite the fact that, or no longer?’ However that’s the purpose. We love deep conversations, and the most efficient conversations all the time occur through a campfire. I assumed, ‘Why no longer convey that to other people and keep away from the entire causes they don’t wish to cross tenting? Eliminate the ones, and simply get to the most efficient section—an ideal dialog across the deep questions on lifestyles, and possibly some s’mores and a spooky tale or two.’”

Some of the cool issues about I Went Tenting is that the tale in the back of the display takes position on a bus—an airport go back and forth bus, to be actual.

Ryan’s buddies were pressuring him to do a podcast for years. 

“And which may be simply because they’re bored with taking note of me communicate at all times. They’re like, ‘Possibly if we gave you a microphone, that may if truth be told clear up that factor for us.’” 

Ryan sooner or later took them up at the thought, combining conversations with tenting—in different phrases, doing what he loves. 

“I’m a large believer in going for it. If you’ll make cash doing one thing you’re keen on, you must completely opt for it. Now not everybody will get to do it. However why no longer take a look at? For me, I needed to. And by chance, even though I give it my all and it doesn’t determine, I will be able to cross to mattress at evening going, ‘You recognize what? I attempted, and it was once such a lot a laugh!’”

Ryan doesn’t simply “take a look at”—even beginning out, he sought after to move large. Thus, his thought for a cell studio. 

“Being in Southern California, visitors is a nightmare. So what if we got rid of all objections from a possible visitor through bringing the studio immediately to them? We constructed a fantastic set utterly influenced through Pirates of the Caribbean, which was once my favourite journey as a child. It was once simply the good factor! I beloved it, and sought after to recreate it.”

Ryan employed a crew to design the idea that, and the wheels have been set in movement. 

“We determined we’re gonna cross out and construct a podcast that brings campfire conversations proper to the visitors’ door, too. I’m ignorant of every other cell campfire studio, so we’re truly seeking to dominate that class.” 

As soon as the verdict was once made, Ryan needed to discover a bus. He researched and known as on corporations that promote previous airport go back and forth buses, purchased one, and tore out the insides. Sadly, he did this only a week prior to the pandemic hit. 

“So how’s that for timing? Then it became, ‘Hi there, who desires to get at the back of an airport go back and forth bus with a stranger all over the center of a deadly disease?’ As you’ll believe, no person! So we purchased it and had to sit down for seven to 8 months whilst we discovered what we have been going to do. Then, we retrofitted it—installed plexiglass, air sanitization, social distancing… we needed to redo all of the factor to make it as COVID-safe as imaginable.

“However no longer everybody has an airport go back and forth bus, . I imply, I’ve were given all forms of stuff now. So I will be able to reside in that factor, too, if issues truly were given dangerous. I’m cell, guy.” 

After they put those protocols in position and deemed it secure to document, they wanted an ideal manufacturer. 

“Mark Ryan who’s the most efficient roughly good friend. He helps you… mentioned, ‘I consider in you, and I’m keen to assist out. I’m tying my long run to yours.’ And I mentioned, ‘Hi there, how would you’re feeling about simply using out around the nation on spec? Let’s simply cross. Let’s take Nashville, and simply see who we get. I do know some other people available in the market. Let’s simply power available in the market and spot who concurs to an interview.’ And he’s like, ‘Let’s cross!’ So we hopped in, drove around the nation, and met all forms of superb other people. It was once a large number of a laugh.” 

Ryan has loved interviewing his expensive good friend and well-known early life superstar David Henry from the Wizards of Waverly Position and UFC legend Chuck Lidell. 

And that’s just the start. 

What does Ryan see as the way forward for I Went Tenting?

“I’ve were given a couple of large visitors the world over that I’m demise to move interview. I’m attempting to determine how you can get Tenting around the pond. My dream is to have a community of go back and forth buses internationally that we will fly to, arrange elaborate campsites, and cross tenting in Irish castles or within the Moroccan wasteland.” 

Some of the cool issues about taking note of the audio-only model is that Ryan and his crew have made it an immersive enjoy.

“We if truth be told come with immersive sound designed to take you to the mountains with us—crackling fireplace, owls hooting, crickets. We wish it to be a adventure to a campsite—to make you’re feeling like you might be there, sitting round the hearth with us. We discover the ambient noise if truth be told is helping listeners revel in it extra.”

Even though you don’t like tenting, you’re going to revel in this display. While you pay attention, you’ll listen how Ryan actually comes from the guts.

 

October 2021 Factor

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Singer-Actor FKA branches & & Warner Music Group CEO Robert Kyncl Supporter for Voice & & Similarity Defenses at Senate Judiciary Hearing

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[[{“value”:”Federal Guardrails Against Deceptive AI-Generated Deepfakes and Voice Clones Gains Momentum in Key Senate Subcommittee
The post Singer-Actor FKA twigs & Warner Music Group CEO Robert Kyncl Advocate for Voice & Likeness Protections at Senate Judiciary Hearing appeared first on RIAA.”}]]

Federal Guardrails Versus Misleading AI-Generated Deepfakes and Voice Clones Gains Momentum in Secret Senate Subcommittee

Visualized (L-R): Warner CEO Robert Kyncl & & FKA branches share impactful individual testament

FKA branches affirms on behalf of voice and similarity approval relating to AI

Warner Music Group CEO Robert Kyncl uses viewpoint to Senate Committee

WASHINGTON, DC ( April 30, 2024) — Vocalist, songwriter, manufacturer, dancer & & star Tahliah Debrett Barnett (“ FKA branches“) and Warner Music Group CEO Robert Kyncl shared effective testament throughout a Senate Judiciary Subcommittee on Copyright hearing previously today in the country’s capital about the significance of guardrails to safeguard a person’s voice and similarity along with the obligation of tech platforms as expert system (AI) quickly develops. The conversation concentrated on the bipartisan Support Originals, Foster Art, and Keep Home Entertainment Safe (NO PHONIES) Act — a proposition presented by Senators Chris Coons, Marsha Blackburn, Amy Klobuchar, and Thom Tillis that would provide federal securities versus using non-consensual digital duplications in audiovisual works or sound recordings for all Americans.

Multi-hyphenate skill, FKA branches throughout acknowledged the significance of approval from the specific whose being is the really essence of this innovation. ” The reality that someone might take my voice, modification lyrics, modification messaging or deal with an artist that I didn’t, it actually leaves me really susceptible. If legislation isn’t put in location to safeguard artists, not just will we let artists who actually appreciate what we do– that have actually invested a very long time establishing themselves– however it would likewise indicate that fans would not have the ability to rely on individuals that they have actually invested a lot of years purchasing.”

In reaction to claims that deepfakes of living or departed individuals are required for filmmaking, FKA branches described, ” I believe the issue is, if you have the ability to utilize an artist’s voice and similarity without approval about their life story, you’re offering the impression that it’s the equivalent of an autobiography, rather a bio … which’s a confusion. If you have the ability to utilize my voice and my precise face, [then] a group of authors in Hollywood that wish to over dramatize things and make it more awful or fantastical, that’s what makes me actually worried, uneasy and susceptible. If it’s a star, we understand to take it with a pinch of salt. If it is the individual themself, then it simply feels too clear and unfair.”

Notified by his previous experience as a magnate at YouTube and Netflix, Kyncl spoke from deep understanding and regard for both innovation and developers and required clear guardrails for AI. “ Through AI, it is really simple for somebody to impersonate me and trigger all way of havoc. They might talk to an artist in a manner that might damage our relationship or state incorrect things that would harm our service.”

Kyncl summarized, “the fact is, everybody is susceptible.”

In a watershed minute, in reaction to questioning from Senator Mazie Hirono, all witnesses present consisting of those requiring modifications or limitations to the proposed legislation concurred that Congress must enact brand-new securities for people’ voices and images.

Attending to complimentary expression issues, SAG-AFTRA National Executive Director & & Chief Mediator Duncan Crabtree-Ireland included, ” I am worried that we are just taking a look at one side of the First Modification factor to consider here. The opposite is the right that each people needs to our own flexibility of speech to be able to interact our concepts, to associate ourselves with concepts that we wish to so and not be related to concepts we disagree with– that is being actually stomped on by this unconfined capability of individuals without a federal right.”

Senator Tillis stated, “ I’m pleased that we’re using up this costs. I do feel highly we ought to do whatever we can to attempt and move it in this Congress.”

RIAA Chairman & & CEO Mitch Glazie r praised the Committee’s thoughtful evaluation of the NO FAKES Act conversation draft. “ Today’s hearing sets the table for swift and strong action by Congress to safeguard every American from unconsented deepfakes and voice clones. Engaging, individual testament from both FKA branches, Warner CEO Robert Kyncl, and SAG-AFTRA National Director & & Chief Mediator Duncan Crabtree-Ireland made a frustrating case for brand-new legislation safeguarding developers’ incomes and tradition and offering all of us the power to stop bad stars from utilizing our voices and images to create violent deepfakes.”

At today’s hearing, Chairman Coons revealed strategies to complete and officially present the NO FAKES Act this summertime. Together with your home No AI Scams Act, both chambers are now progressing with nationwide steps to safeguard people’ voice and similarity rights.

Kyncl’s op-ed released today in The Hill, entitled 4 Guidelines To Make Expert System Work For People even more set out the significance of Authorization, Money Making, Attribution and Provenance as AI is established. He revealed, ” These propositions would develop clear guideline, assisting to avoid a world where AI can proper an individual’s identity without their approval. This would likewise have a ‘halo impact,’ assisting to suppress false information, identity theft, and hate-fueled material.”

Watch The NO FAKES Act: Safeguarding Americans from Unauthorized Digital Replicas hearing here

The post Singer-Actor FKA branches & & Warner Music Group CEO Robert Kyncl Supporter for Voice & & Similarity Defenses at Senate Judiciary Hearing appeared initially on RIAA

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RIAA Addresses IP Protections in USTR’S 2024 Unique 301 Report

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[[{“value”:”“The 2024 Special 301 Report provides a vital snapshot of the environment for music creators globally as well as a critical blueprint for US engagement with countries around the world to support them,” commented RIAA Chairman & CEO Mitch Glazier. 
The post RIAA Addresses IP Protections in USTR’S 2024 Special 301 Report appeared first on RIAA.”}]]

WASHINGTON, DC ( April 25, 2024) — Today, the United States Trade Agent (USTR) provided its yearly Unique 301 Report relating to deficiencies of copyright and other kinds of copyright (IP) securities in specific nations. The Report examines the existing legal, regulative, judicial, and enforcement actions on IP in those nations and recognizes the effect on United States music developers while likewise highlighting systemic concerns for United States federal government engagement to advance imagination worldwide. Amongst the cross-cutting concerns that show the music neighborhood’s input into the Unique 301 procedure, USTR Ambassador Katherine Tai acknowledged the important value of American developers’ contributions to United States tasks and financial development, keeping in mind Stakeholders from both unions and business in the imaginative sectors have actually highlighted the value of copyright defense and enforcement to their incomes and companies.”

” The 2024 Unique 301 Report offers an essential photo of the environment for music developers worldwide in addition to a vital plan for United States engagement with nations around the globe to support them, commented RIAA Chairman && CEO Mitch Glazier ” We value acknowledgment of uncomfortable patterns in many areas that would hurt the American music neighborhood, consisting of constraints on streaming rights, inadequate enforcement, and stream-ripping piracy, and the recognition of favorable advancements relating to copyright defense and enforcement. We motivate the United States Federal government in future Reports to resolve appropriate copyright defense in the context of AI as dedicated to by President Biden in the G7, and to oppose broad exceptions consisting of text and information mining. We likewise advise the United States Federal government to engage with nations based on continuous trade examinations, and to resolve deeply bothersome propositions on copyright and agreement matters, especially in South Africa.”

” We thank Ambassador Tai and the whole interagency group for their vigorous deal with this essential procedure. RIAA highly supports the United States Federal government’s extensive technique to promoting American developers globally, consisting of through existing and future IP discussions with the European Union, India and the UK.”

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Year-End 2023 RIAA U.S. Latin Music Income Report/ Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos

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[[{“value”:”Latin music in the U.S. has increased in popularity and value over the last eight years, outpacing overall recorded music… Read More »
The post Year-End 2023 RIAA U.S. Latin Music Revenue Report / Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos appeared first on RIAA.”}]]

Latin music in the U.S. has actually increased in appeal and worth over the last 8 years, outmatching general documented music each year throughout this duration of strong development. In 2023, the category struck its greatest mark yet at $1.4 billion, representing 16% development over 2022. Changed for inflation, Latin music market profits in 2023 are now 14% above the previous peak in 2005.

LINK TO FULL ENGLISH REPORT HERE

INFORME DE FIN DE AÑO 2023 DE RIAA SOBRE INGRESOS DE MÚSICA LATINA EN ESTADOS UNIDOS

La música latina en los EE. UU. creció en cuanto a su popularidad y valor durante los últimos ocho años, superando a la música grabada en basic cada año durante este período de fuerte crecimiento. En 2023, el género alcanzó su marca más alta con $1400 millones, que representa un crecimiento del 16 % con respecto a 2022. Ajustados por la inflación, los ingresos del mercado de la música latina en 2023 ahora están un 14 % por encima del pico previo en 2005.

ENLACE AL INFORME COMPLETO EN ESPAÑOL AQUÍ

The post Year-End 2023 RIAA U.S. Latin Music Income Report/ Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos appeared initially on RIAA

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