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When The Temptations’ Motown Story Began With ‘Oh Mother Of Mine’

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Otis Williams, the one original member of a legendary soul group that would see its 60th anniversary, got to reminiscing one time about their pre-history. “We were the Elgins for two weeks, and there was another group called the Elgins,” he recalled. “We were standing outside with this fellow named Bill Mitchell, and we were kidding around with a name. Somebody said ‘The Temptations.’ I said, ‘That’s the one!’”

Williams had already fronted the late 1950s Detroit outfit the Distants, whose members also included Melvin Franklin and Elbridge “Al” Bryant. An audition was scheduled, after the addition of two members of the Primes, Eddie Kendricks and Paul Williams, with Berry Gordy (already an admirer) at Motown Records. The new five-piece duly passed the test arranged by Gordy and wingman William “Mickey” Stevenson.

Otis told The Guardian in 2019 that fate had determined his own arrival in Detroit just as Gordy was getting his company off the ground. “It was happenstance,” he observed. “It was necessary timing and it was meant to be that God in his infinite wisdom put all of these producers, writers and artists together at that time and made such profound music.”

On July 24, 1961, with the fifth release on Motown’s short-lived Miracle label, the new group released their first single, the Stevenson-Williams copyright “Oh Mother Of Mine.” Its formative sound and mid-paced swing hardly epitomised the group sound that would take the label, and soul music, to unknown heights in the years to come. Lead vocals were shared by Paul Williams, the early group’s de facto leader, and Eddie Kendricks; instrumentation was by the studio maestros we would come to know as the Funk Brothers.

There was more of a birthmark about “Romance Without Finance,” recorded like its co-release in May. Its title may sound like a classic Smokey Robinson rhyme, but the song was actually a Stevenson-Kendricks composition, fuelled by pacy guitar and buzzing saxophone. Both sides were produced by Stevenson and yet another Williams, André, an eccentric R&B notable in his own right. He was known for his Top 10 soul hit of 1957, “Bacon Fat,” for later co-writes such as the Five Du-Tones’ “Shake A Tail Feather,” and as Edwin Starr’s manager, among other distinctions.

“Oh Mother Of Mine,” like many of the company’s releases of the time and all of them on Miracle, failed to trouble the national US charts. It was on release at the same time as the (still “no-hit”) Supremes missed the mark with “Who’s Lovin’ You,” although Motown was only a few weeks from the pop and soul chart glory of the Marvelettes’ August single, “Please Mr. Postman.” In 1999, “Mother” was added to the CD reissue of the 1964 debut LP Meet The Temptations, even though it predated that album by more than two and a half years.

Cash Box magazine did review the Tempts’ single in its September 2 issue, giving the flipside the lead and writing of “Romance Without Finance”: “R&B-styled songsters do an infectious job on the ditty, getting a strong combo sound for their setting.” Of “Oh Mother Of Mine,” the trade publication noted cursorily: “Another upbeat blues showing with an infectious way.” As an aside, another group called the Temptations rated a mention in Cash Box that year, they being the group backing one Cody Brennan, on the late 1961 Swan Records single “Am I The One.”

The first Temptations single may have gone nowhere fast, but the label stuck with them, and by November they were back with another release on Miracle, “Check Yourself,” produced this time by Berry Gordy himself. By the following March, now on the Gordy label and with Kendricks in the lead vocal role, they figured on the national R&B chart for the first time with “(You’re My) Dream Come True,” as their own dream indeed started to become reality.

Buy or stream “Oh Mother Of Mine” on the expanded Meet The Temptations.

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GRAMMY Award nominee Cory Asbury releases live Studio Sessions video “Only Jesus For My Pain”

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Grammy Nominee Corey Asbury

Multi-platinum selling and GRAMMY Award nominee Cory Asbury releases the live Studio Sessions video for “Only Jesus For My Pain.” The track is from his highly-anticipated fifth studio album, Pioneer, via BEC Recordings, which dropped last week (Sept 15).

Pioneer is my most personal record to date,” shares Cory. “Every song comes from a deep place and carries a part of my story, from childhood to today. Vulnerable, honest and from the heart– every song speaks to what it means to be human– the highs, lows and everything in between. I hope this album meets you where you’re at today.”

On September 27th, Asbury will perform a very special record release show at City National Grove of Anaheim. Following that performance, Asbury will embark on the Texas Takeover Tour with special guest Brennley Brown. The nine-city headline tour will kick off in Houston on November 2nd and make its way across Texas before wrapping in Kilgore on November 12th. Tickets for Asbury’s record release show and the Texas Takeover Tour are now on sale HERE

 

The post Cory Asbury “Only Jesus For My Pain” Live Studio Sessions Video appeared first on TCB

 

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Adele’s Agent Lucy Dickins Receives Prestigious U.K.’s Music Industry Trusts Award ~ 20 years after her Uncle Rob Dickins

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WME’s global head of contemporary music and touring will take home the same award that her uncle, Rob Dickins, received 20 years ago. 

Lucy Dickins, the highly respected agent of Adele, Mumford & Sons and Olivia Rodrigo who serves as global head of contemporary music and touring at William Morris Endeavor (WME), has been named this year’s recipient of the U.K.’s Music Industry Trusts Award (MITS). 

Dickins — whose clients also include Stormzy, Rex Orange County, SAULT, Little Simz, James Blake, Jamie T, Hot Chip, Bryan Ferry, Mabel and Laura Marling — will receive the award on Nov. 6 at a gala ceremony at London’s Grosvenor House Hotel. The event will benefit U.K. charities the BRIT Trust and Nordoff Robbins. 

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“I’m truly humbled by this recognition and honoured by the many colleagues and clients I’ve gotten to work with throughout my career and at WME,” Dickins said in a statement.  

MITS Award committee co-chair Toby Leighton-Pope said Dickins’ “impact on the industry is undeniable and her contributions continue to shape the industry landscape.”  

Dickins regularly appears on Billboard’s Women in Music, International Power Players and Power 100 lists. 

Previous recipients of the annual MITS award include Lucian Grainge, Ahmet Ertegun, Simon Cowell, Michael Eavis, Elton John & Bernie Taupin, Annie Lennox, Roger Daltrey, Rob Stringer, Emma Banks, broadcaster and DJ Pete Tong and Dickins’ uncle, legendary British music executive Rob Dickins. Last year’s MITS award was given to entrepreneur Jamal Edwards, who had died earlier in the year at the age of 31. It was the first posthumous award given in the event’s 32-year history.   

Dickins relocated to WME’s Beverly Hills office from London last year after being promoted to global head of contemporary music and touring at the agency, making her the first woman to lead a talent agency’s music division. Her responsibilities include overseeing all aspects of the agency’s contemporary live business.

Last year, Adele played two sold-out shows at London’s BST Hyde Park Festival in front of 130,000 fans. That was followed by her delayed Las Vegas residency, which began in November and has been extended to wrap this fall. In total, WME’s music division says it booked more than 40,000 live dates in 2022.  

Prior to joining WME in 2019 — initially as head of its U.K. music division — Dickins spent more than 20 years at International Booking Talent (ITB), the London-based agency that was founded in 1978 by her father Barry Dickins and his business partner Rod MacSween.  

Dickins’ lineage in the music business goes back to her grandfather, Percy Dickins, who created the weekly magazine New Music Express (NME). Her uncle Rob Dickins served as chairman of Warner Music UK for 15 years, while her brother, Jonathan Dickins, is chief executive of September Management, which counts Adele, Glass Animals and producer Rick Rubin among its clients.  

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2023 SESAC Latina Music Awards Big Winners Eden Muñoz, Lenny Tavárez & More . . .

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Yahritza Martinez, of sibling trio Yahritza Y Su Esencia, was honored with the first-ever Breakthrough songwriter of the year.

Edén Muñoz and Lenny Tavárez were among the top winners at the annual SESAC Latina Music Awards, which took place Tuesday (June 27) at the Beverly Hills Hotel in Los Angeles.

Both were honored as songwriter of the year at the ceremony where, for the third year in a row, the top award was presented in two categories: Regional Mexican and pop/ Latin rhythm.

For a fourth year in a row, Muñoz was awarded songwriter of the year for regional Mexican thanks to a number of songs he wrote for fellow artists such as Pepe Aguilar and Christian Nodal. Muñoz’s ” ¡ Chale! “winner for regional Mexican song of the year, had scored him his first No. 1 on the Regional Mexican Airplay chart as a soloist following his departure from Calibre 50.

” I want to thank my wife and my children,” said a visibly emotional Muñoz. “This is for my children. Here’s the answer to their question of why Daddy isn’t home. Because he’s here, writing songs.”

Meanwhile, Tavárez– who’s written hits for Karol G, Blessd and Justin Quiles– was named songwriter of the year in pop/Latin rhythm for co-penning Anitta‘s global hit song “Envolver.” The reggaeton track, which won pop/Latin rhythm song of the year– peaked at No. 1 on the Billboard Global Excl. US chart in April 2022. And while it may seem as an “only Anitta” track, given her signature moves around it, Tavarez performed it as part of an exciting five-track set that highlighted his versatility and beautiful voice.

” I’m saying this with a lot of respect for men, but my career changed thanks to women,” said Tavarez in picking up his award and dedicating it to his mother, wife and daughter. “And, I also dedicate it to two very special women. Karol G, you changed my life and allowed me to be part of La Bichota. The other one is Anitta. Thank you to Annite and her team for allowing me to be part of the story as a composer.”

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Special awards were handed out as well. SESAC Latina’s first-ever breakthrough songwriter of the year was given to Yahritza Martinez, frontwoman of the sibling trio Yahritza Y Su Esencia. Leila Cobo, Billboard’s Chief Content Officer for Latin and Español, was on hand to deliver the award.

The 16-year-old Martinez made chart history as the youngest Latin performer to enter the Billboard Hot 100 when the group’s debut single “Soy El Único” debuted at No. 20 last year. She’s also just one of the two women (the other being Karol G) who have reached No. 1 on the Latin Songwriters chart. “This is definitely not a one-hit wonder,” said Cobo. “You have depth, craft, talent and magic.”

Producer of the year went to Federico Vindver, who’s worked with artists such as Jennifer Lopez, Ricky Martin, Marc Anthony and, most recently, Christina Aguilera for her Spanish-language album Aguilera, which was nominated for album of the year at the Latin Grammys 2022. Additionally, the award for publisher of the year in regional Mexican went to recently-launched company EMC Lyrics, and Sony Sounds was named pop/Latin rhythm’s publisher of the year for the eighth consecutive year.

” Thanks again to an amazing team,” said Jorge Mejia, president/CEO of Sony Music Publishing Latin America. “But, at the end of the day, this award isn’t ours. It belongs to all the composers who wake up every morning to write songs. You make the world turn.”

See the winners list below:

Songwriter of the Year:
Regional Mexican– Eden Muñoz
Pop/Latin Rhythm– Lenny Tavárez

Song of the Year:
Regional Mexican– ” ¡ Chale!” by Eden Muñoz
Pop/Latin Rhythm– “Envolver” by Lenny Tavárez

Publisher of the Year:
Regional Mexican– EMC Lyrics
Pop/Latin Rhythm– Sony Sounds

Breakthrough Songwriter of the Year:
Yahritza Martinez

Producer of the Year:
Federico Vindver

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