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Rise Against Share Acoustic Version Of ‘Nowhere Generation’ Ft. Meg Myers

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Rise Against today shared a new acoustic version of their soaring, impassioned rock hit “Nowhere Generation,” featuring vocals by Meg Myers, alongside a new video, which you can check out below.

The song—a stripped back take of the punchy original that has maintained its chart position at No.2 at US Rock for three weeks in a row and rose this week to No.8 at US Alternative radio—is the title track of Rise Against’s latest album.

“When we released the acoustic version of “Nowhere Generation”, we found that it really connected with a lot of people,” says Tim McIlrath of Rise Against. “We heard from a lot of unique and beautiful voices, and we knew that we needed to add another beautiful, unique voice to this song. Meg was the perfect choice and we are thrilled with how it all turned out.”

“When Rise Against asked me to sing on “Nowhere Generation,” I felt an instant connection to the song. There is a power and a purity about this song that is so healing and unifying,” explains Meg Myers. “It’s the voice of a younger generation who feels unheard. I feel it is so important right now for our consciousness evolution, and for society to take a look around and ask ourselves, ‘who are we, what are we doing here, where are we going and why?’”

Rise Against will head out on a month-long U.S. tour next week in support of Nowhere Generation, joined by Descendents and The Menzingers, and beginning with a string of sold out shows in Cleveland, New York, and Asbury Park.

UK fans can catch the band in November ’21, when the band visit for a short run of stripped-back intimate in-store events.

Rise Against will appear at the following shows:

Mon November 15: Key Club, Leeds w/ Crash Records
Tues November 16: Chalk, Brighton w/ Resident Records
Weds November 17: Pryzm, Kingston w/ Banquet Records

On their new album, released June 4 via Loma Vista Recordings, Rise Against draws a line in the sand with its blazing and aggressive punk rock and lyrics that shine a spotlight on the social and economical deck that has been stacked against our younger generations’ pursuit of The American Dream.

Nowhere Generation has been earning the band great press from outlets including Revolver, Consequence, Brooklyn Vegan, Grammy.com, American Songwriter, The Line of Best Fit, Clash, Kerrang!, and All Music, while June 4th was declared “Rise Against Day In Chicago,” the band’s original hometown. Last week, Rise Against also announced the Nowhere Generation graphic novel, which sees the band teaming up with writer Shaun Simon (True Lives of the Fabulous Killjoys, Electric Century) and artists Sally Cantirino, Val Halvorson, Huseyin Ozkan, Soo Lee, and more to be announced, due out this October via Z2 Comics.

Meg Myers’ latest releases – 2020’s acclaimed Thank U 4 Taking Me 2 The Disco and I’d Like 2 Go Home Now EPs – represented the LA rocker’s first new music since the blockbuster success of her chart-topping cover of Kate Bush’s 1985 classic, “Running Up That Hill.” Originally performed in an NPR Tiny Desk Concert, the track made history earlier this year by ascending to #1 on Billboard’s “Alternative Songs” airplay chart 42 weeks after its official March 2019 release – the longest trip to the top in the chart’s three-decade history.

Buy or stream Nowhere Generation.

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RIAA Addresses IP Protections in USTR’S 2024 Unique 301 Report

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[[{“value”:”“The 2024 Special 301 Report provides a vital snapshot of the environment for music creators globally as well as a critical blueprint for US engagement with countries around the world to support them,” commented RIAA Chairman & CEO Mitch Glazier. 
The post RIAA Addresses IP Protections in USTR’S 2024 Special 301 Report appeared first on RIAA.”}]]

WASHINGTON, DC ( April 25, 2024) — Today, the United States Trade Agent (USTR) provided its yearly Unique 301 Report relating to deficiencies of copyright and other kinds of copyright (IP) securities in specific nations. The Report examines the existing legal, regulative, judicial, and enforcement actions on IP in those nations and recognizes the effect on United States music developers while likewise highlighting systemic concerns for United States federal government engagement to advance imagination worldwide. Amongst the cross-cutting concerns that show the music neighborhood’s input into the Unique 301 procedure, USTR Ambassador Katherine Tai acknowledged the important value of American developers’ contributions to United States tasks and financial development, keeping in mind Stakeholders from both unions and business in the imaginative sectors have actually highlighted the value of copyright defense and enforcement to their incomes and companies.”

” The 2024 Unique 301 Report offers an essential photo of the environment for music developers worldwide in addition to a vital plan for United States engagement with nations around the globe to support them, commented RIAA Chairman && CEO Mitch Glazier ” We value acknowledgment of uncomfortable patterns in many areas that would hurt the American music neighborhood, consisting of constraints on streaming rights, inadequate enforcement, and stream-ripping piracy, and the recognition of favorable advancements relating to copyright defense and enforcement. We motivate the United States Federal government in future Reports to resolve appropriate copyright defense in the context of AI as dedicated to by President Biden in the G7, and to oppose broad exceptions consisting of text and information mining. We likewise advise the United States Federal government to engage with nations based on continuous trade examinations, and to resolve deeply bothersome propositions on copyright and agreement matters, especially in South Africa.”

” We thank Ambassador Tai and the whole interagency group for their vigorous deal with this essential procedure. RIAA highly supports the United States Federal government’s extensive technique to promoting American developers globally, consisting of through existing and future IP discussions with the European Union, India and the UK.”

The post RIAA Addresses IP Protections in USTR’S 2024 Unique 301 Report appeared initially on RIAA

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Year-End 2023 RIAA U.S. Latin Music Income Report/ Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos

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[[{“value”:”Latin music in the U.S. has increased in popularity and value over the last eight years, outpacing overall recorded music… Read More »
The post Year-End 2023 RIAA U.S. Latin Music Revenue Report / Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos appeared first on RIAA.”}]]

Latin music in the U.S. has actually increased in appeal and worth over the last 8 years, outmatching general documented music each year throughout this duration of strong development. In 2023, the category struck its greatest mark yet at $1.4 billion, representing 16% development over 2022. Changed for inflation, Latin music market profits in 2023 are now 14% above the previous peak in 2005.

LINK TO FULL ENGLISH REPORT HERE

INFORME DE FIN DE AÑO 2023 DE RIAA SOBRE INGRESOS DE MÚSICA LATINA EN ESTADOS UNIDOS

La música latina en los EE. UU. creció en cuanto a su popularidad y valor durante los últimos ocho años, superando a la música grabada en basic cada año durante este período de fuerte crecimiento. En 2023, el género alcanzó su marca más alta con $1400 millones, que representa un crecimiento del 16 % con respecto a 2022. Ajustados por la inflación, los ingresos del mercado de la música latina en 2023 ahora están un 14 % por encima del pico previo en 2005.

ENLACE AL INFORME COMPLETO EN ESPAÑOL AQUÍ

The post Year-End 2023 RIAA U.S. Latin Music Income Report/ Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos appeared initially on RIAA

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Live Music On I-Drive Orlando

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Live Music on I-Drive Orlando; Supper & & Dancing at Cuba Libra. Friday’s & & Saturday’s; DJ Night. Friday and Saturday; Live Acoustic Music. Fridays and Saturdays.

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The post Live Music On I-Drive Orlando appeared initially on Weekly Calendar

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