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‘Fever’ Pitch: The Best Cover Versions Of The Classic Peggy Lee Song

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The multi-layered history of “Fever” incorporates some strange tales and unlikely bedfellows. They include the R&B star who died in prison, the man who wrote rock’n’roll anthems for Elvis Presley and Jerry Lee Lewis, the singer-actress whose voice starred in a Walt Disney classic, and hundreds of artists who covered the tune, from Tom Jones via Isaac Hayes to Madonna. Here we present some of the best versions of “Fever.”

Little Willie John version

The song was written, officially at least, by Eddie Cooley and Otis Blackwell, the latter composer deservedly recognised as the creator of Elvis’ “Don’t Be Cruel,“ “All Shook Up” and “Return To Sender,” Jerry Lee Lewis’ “Great Balls Of Fire”, Jimmy Jones’ “Handy Man,” and others.

The slinky “Fever” was first recorded in March 1956 by the perennially-underrated Little Willie John, the 5’ 4” soul man from Arkansas whose other notable sides included the first version of the blues-classic-to-be “Need Your Love So Bad.” That song, and its predecessor as a John single, “All Around The World,” had already given him soul hits when “Fever” went all the way to No.1 in the R&B market. Little Willie’s career, and life, would decline on a sad note, with his mid-60s conviction for manslaughter and his death in prison, in 1968. The cause of death, recorded as a heart attack at the age of just 30, has often been disputed.

Peggy Lee version

Artists including Sandra Meade, Earl Grant and Ray Peterson recorded early covers of “Fever” before Peggy Lee completely reinhabited it in 1958, investing the lyric with all the sensuous allure it called for. Charting just as Billboard introduced its new Hot 100 countdown, Lee’s version went Top 10 on both that list and, as a tribute to her performance, on the R&B chart, as well as in the UK, Australia, and beyond.

Elvis Presley version

Presley’s history with Blackwell made it perhaps unsurprising that The King would record his own, fingersnapping version of “Fever” as he did on the Elvis Is Back! album. Released in 1960, the LP marked his return to recording after his National Service.

James Brown version

Such is the undying attraction of the song, barely a year has gone by that hasn’t seen several new interpretations of “Fever.” In the 60s, they included takes by Ben E King, Dion, Quincy Jones And His Orchestra and Bobby Bland. James Brown tackled it on his 1967 album Cold Sweat, as did Buddy Guy the following year on This Is Buddy Guy!

Isaac Hayes version

In the 70s, the range of candidates keen to address the song ran the gamut from Rita Coolidge to Boney M. Isaac Hayes took it to the disco on an eight-minute workout for his Don’t Let Go album in 1979, the same year rock’n’roll original Link Wray did his. Among hundreds more versions, we’ll give special mention to those by Chaka Khan and Joe Cocker, as well as the one by Madonna, recorded, appropriately, for her 1992 Erotica album.

“Fever” is a song that spans the ages in every sense: in 2016, British entertainer Petula Clark recorded her version for the album From Now On, which charted a little before her 84th birthday. To quote the lyric, it remains a song to give you fever – be it Fahrenheit or Centigrade.

Listen to the best of Peggy Lee on Apple Music and Spotify.

 

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Live Music On I-Drive Orlando

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Live Music on I-Drive Orlando; Supper & & Dancing at Cuba Libra. Friday’s & & Saturday’s; DJ Night. Friday and Saturday; Live Acoustic Music. Fridays and Saturdays.

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Lauren Daigle Commemorates New Certifications at Heading Arena Program with RIAA President & & COO Michele Ballantyne

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[[{“value”:”This past weekend, prior to taking the stage at a jam-packed Bridgestone Arena, 2x GRAMMY Award winner and multi-platinum selling artist Lauren Daigle was presented with plaques honoring recent RIAA Certifications.
The post Lauren Daigle Celebrates New Certifications at Headline Arena Show with RIAA President & COO Michele Ballantyne appeared first on RIAA.”}]]

( L-R: Leigh Holt (supervisor, maddjett), Steve Bartels (Creator, Music Bartels), Lauren Daigle, Caren Siedle (CEO Centricity Music), Michele Ballantyne (RIAA President & & COO), Andrew Lambeth (VP, Sales & & Advertising, Centricity Music))

This previous weekend, prior to taking the phase at a loaded Bridgestone Arena, 2x GRAMMY Award winner and multi-platinum selling artist Lauren Daigle existed with plaques honoring current RIAA Certifications. Her 2018 record breaking album, Search For Kid, was formally accredited 2x Platinum. The advancement album debuted at No. 3 on the Signboard Top 200 albums chart and strengthened Daigle’s position as a pillar on the charts. She likewise got a plaque honoring the Gold Accreditation of her single, “Thank God I Do,” which is the lead single from Daigle’s 2023 self-titled album. It marks her sixth Signboard No. 1, making her the very first artist to have 2 songs leading the Leading Christian Tunes chart for more than 20 weeks.

Lauren Daigle is a two-time Grammy ®, seven-time Signboard Music, four-time American Music, and twelve-time GMA Dove Music Award winner. Considering that the release of her GRAMMY ® Acclaimed, 2x platinum-certified 2018 album Search For Kid, that included the 6x platinum-certified hit “You State,” Daigle has actually been a pillar on the Signboard charts. When Search For Kid debuted at No. 3 on the Leading 200 Albums chart, Daigle ended up being the very first female artist in history to at the same time strike the Leading 10 on both Signboard’s Pop and Christian Album charts. Her current GRAMMY Chosen and Mike Elizondo-produced, 23-song, self-titled album’s launching single, “Thank God I Do,” offered Daigle her sixth Signboard No. 1 and was just recently accredited Gold. She’s amassed over a billion streams and wowed crowds for many years with sold-out United States and global trips. Daigle continues to seal her status as a contemporary singing powerhouse with a substantial international fanbase.

Off phase, Daigle stays dedicated to investing her time to promote music education, deal with at-risk youth, and supply look after kids, the senior, and those in requirement through The Cost Fund, a company she established in 2018. To date, she has actually dispersed over $2.5 million to 42 nonprofits all over the world.

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2023 Year-End Music Market Income Report|RIAA

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[[ RIAA appeared first on RIAA.”]]

Taped music profits in the U.S. in 2023 continued strong development for the 8th successive year. Overall profits grew 8% to a record high $17.1 billion at approximated retail worth. Streaming continued to be the most significant chauffeur of development with record levels of engagement in paid memberships, continued development in ad-supported profits, and growing contributions from brand-new platforms and services. At wholesale worth profits grew 7% to a record high of $11 billion.

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