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Best Selena Gomez Songs: 20 Shape-Shifting Pop Essentials



Selena Gomez’s discography is a living document of the ever-evolving chapters of her reinvention as an artist. For nearly two decades, she has been an immovable force, permeating pop culture as a platinum-selling musician, a philanthropist, an immediately recognizable actress on screen, and an executive producer behind the scenes. Gomez continues to move her career forward by never staying in one creative space for too long.

In 2009, she released her debut album as the lead singer of the pop-rock band Selena Gomez & the Scene. Kiss & Tell became the singer’s first Top 10 entry on the Billboard 200 and spawned her first Hot 100 hit with the glittering second single “Naturally.” Gomez went on to release two more studio albums with her bandmates before going solo for her official debut album Stars Dance in 2013. Proving she could hold her own as a musician, Stars Dance solidified Gomez in her generation’s trifecta of post-Disney stars alongside Demi Lovato and Miley Cyrus.

Stars Dance stripped away the rock influence of Selena Gomez & the Scene and cemented Gomez as a key figure in pop music as it became her first album to top the Billboard 200. In 2015, she shared the tantalizing Revival, yet another reinvention for her career as a hitmaker and songwriter that spawned multiple hit singles. Taking on a full-blown pop approach, Gomez’s solo discography captures the risk-taking creative process of a teen star progressing into and through adulthood and her own artistry.

With several notable collaborations and five total albums under her belt by the end of 2015, some of Gomez’s biggest successes still awaited her. In 2020, the singer shared Rare, her most candid and compelling body of work yet which housed her first chart-topping single on the Billboard Hot 100. As evidenced by the release of her 2021 Spanish-language EP Revelación, Gomez continues to pull back layers and test the boundaries of her artistry. For a comprehensive understanding of her still-evolving discography, check out the best Selena Gomez songs that revitalized her sound and the deep cuts that spotlight her expansive, multilingual range.

Listen to the best Selena Gomez tracks on Apple Music or Spotify, and scroll below for our take on the best Selena Gomez songs.

The Introductory Hits

(Naturally, A Year Without Rain, Love You Like A Love Song, Come & Get It)

Selena Gomez catapulted into the stratosphere of teen pop stardom two full years before Kiss & Tell arrived in 2009. Having already locked in a loyal fanbase courtesy of her Disney Channel audience built during her time as Alex Russo in the Emmy-award winning series Wizards of Waverly Place, her pop-rock band Selena Gomez & the Scene shared “Naturally” as the second single from their debut album. The song slowly builds until you reach the infectious chorus delivered over pulsing dance beats. In the company of her band, Gomez took on the role of pop newcomer. On each of her subsequent albums with the Scene, the singer’s creative presence only strengthened.

“A Year Without Rain,” from the band’s sophomore album of the same name, presented one of Gomez’s most profound vocal performances tailored to the song’s plucky production. Later, the track would be recorded in Spanish as an homage to Gomez’s Mexican heritage, foreshadowing her future Spanish-language releases.

When The Sun Goes Down, the third and final album from Selena Gomez & the Scene, opens with “Love You Like A Song,” a synth-driven, Rock Mafia-produced electro-pop hit. The track carries Gomez’s confidence in its DNA as she paints an image of the honeymoon phase of a new relationship with each lyric.

After cutting her teeth in the band, Gomez was ready to make a name for herself as a solo musician. This moment took form as “Come & Get It,” the sultry lead single to her debut solo album that blended Punjabi’s bhangra music with the then-booming sound of electropop. A fully-realized pop artist, Gomez teamed up with pop juggernaut producers Stargate and hitmaker Ester Dean for her official reintroduction as a 20-year-old post-Disney star who was still only just getting started.

The Heart-On-The-Sleeve Hits

(Look At Her Now, Hands to Myself, Bad Liar, Lose You To Love Me)

Following the conclusion of her time at Disney, Selena Gomez shifted her focus solely to her work as an artist, injecting more of her story into her lyrics. Over time, a certain vulnerability emerged from her writing, hitting a notable stride with her first No.1 single “Lose You To Love Me.” Detailing the process of severing all ties with a previous partner as a means of reconnecting with and healing oneself, the track is a final goodbye cloaked in shimmering, piano-based production. On “Look At Her Now,” also from Rare, Gomez taps into this subject matter once, emerging from a tumultuous relationship better than ever and with brighter days ahead.

Both tracks were created by Gomez with pop hitmakers Julia Michaels and Justin Tranter. The trio has been collaborating closely since Revival where they found a hit in the cheeky single “Hands To Myself,” which set the tone for the singer’s future releases. This collaborative relationship has allowed for an ambitious confidence to emerge from the work on both Revival and Rare.

On the one-off single “Bad Liar,” the trio interpolated the Talking Heads‘ 1977 classic “Psycho Killer” for a breathy recount of the honeymoon phase of a new relationship that introduced an entirely new range of Gomez’s vocals. These hits remain some of the best Selena Gomez songs, with each song sounding nothing like their predecessors, documenting Gomez’s emergence as a confident songwriter.

The Defining Deep Cuts

(Nobody, Sober, Vulnerable, The Heart Wants What It Wants)

The 2014 single “The Heart Wants What It Wants,” offered a minimalistic approach to the booming electropop of the early to mid-2010s with a focus on Gomez’s vocal performance and became her biggest hit to date without ever being attached to an official album at the time. These moments in which Gomez strikes musical gold often extend beyond the charts, tucked into the deep cuts of her albums.

On the Revival bonus track “Nobody,” Gomez is paired with songwriter and producer Nick Monson for a reverberating note about her faith, a topic not frequently explored in her hit singles. While she shared with iHeartRadio that the lyrics are up for interpretation, she saw the song as an opportunity to unveil another side of herself in her music that her audience doesn’t often have a chance of encountering.

On the Stargate-produced “Sober,” Gomez returns to this idea of needing to look inward for strength, rather than having a dependency on anyone who could eventually disappoint you. She continues to embrace self-reliance on the Rare cut “Vulnerable,” where she makes clear that given the choice between changing herself to make a relationship work and completely letting go to prioritize her own happiness, she’ll choose herself every time.

The Language Shifts

(De Una Vez, Taki Taki, Baila Conmigo, Buscando Amor)

Back in 2010, Selena Gomez & the Scene added “Un Año Sin Lluvia,” the Spanish version of “A Year Without Rain,” to their second studio album. It was a homage to Gomez’s Mexican heritage and to the language she grew up speaking fluently until her time speaking solely English in the television and music industries led to her losing her fluency. Eight years later, she teamed up with global superstars DJ Snake, Ozuna, and Cardi B for “Taki Taki,” Gomez’s first bilingual release in over seven years.

Gomez’s biggest crossover hit yet, the reggaeton-influenced track reached No.1 in 15 countries and landed at No. 11 and 15 in the US and UK, respectively. The track set the stage for Revelación, her first Spanish-language EP shared in 2021. “This has been something I’ve wanted to do for 10 years, working on a Spanish project, because I’m so, so proud of my heritage,” she told Apple Music’s Zane Lowe in an interview. The project’s lead single “De Una Vez” blends R&B and Latin pop seamlessly as Gomez maintains her theme of self-love and recovery throughout the song’s lyrics delivered entirely in Spanish.

Gomez has talked about how her music feels stronger when she sings in Spanish, and there’s a confidence that shines through on “Buscando Amor,” the Revelación cut that celebrates a self-assured, carefree lifestyle. On “Baila Conmigo,” the singer goes head-to-head with Puerto Rican singer Rauw Alejandro. The duo trades lyrics throughout the track over a rhythm-driven production from star producer Tainy.

The Collaborations

(We Don’t Talk Anymore, Good For You, I Want You To Know, Ice Cream)

Collaborations are rare on Selena Gomez’s own projects. Only two featured artists appeared on her albums with The Scene and on her solo efforts, it wouldn’t be until her second album Revival that she would invite a guest artist. Rapper A$AP Rocky joined Gomez for an appearance on “Good For You,” the track served as the album’s lead single and tapped into an R&B sound that was fairly new to Gomez’s aesthetic at the time. “Good For You” was the singer’s largest marker of growth and maturity yet, completely severing any remaining attachments to teen stardom her audience may have had.

While features on her own albums are still scarce, some of the best Selena Gomez songs have come from her guest spots on other artists’ projects, allowing herself to step outside of the bounds of her own work by stepping into theirs. In 2015, she served as the sole vocalist on German super-producer Zedd’s platinum hit “I Want You To Know” for her biggest EDM endeavor yet, building on the beats found on Stars Dance. On Charlie Puth’s One Track Mind single “We Don’t Talk Anymore,” Gomez severs the ties of a past relationship over the song’s snappy, acoustic production.

The singer’s most exhilarating collaboration came in 2020 when she teamed up with K-Pop superstars BLACKPINK for the single “Ice Cream.” A full-circle moment for the group, who had danced to Gomez during their days as trainees, the track was written by the singer alongside Ariana Grande, Victoria Monét, Teddy, and more. Performed by a whopping five vocalists, “Ice Cream” makes room for the charm and versatility of each singer.

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RIAA Commemorates New Montgomery Gentry Gold & & Platinum Songs




[[{“value”:”Presents Certifications to Eddie Montgomery for “Hell Yeah,” “My Town” & “Something To Be Proud Of” Pictured (L-R): Eddie Montgomery, Erin D. D…. Read More »
The post RIAA Celebrates New Montgomery Gentry Gold & Platinum Singles appeared first on RIAA.”}]]

Provides Accreditations to Eddie Montgomery for
” Hell Yeah,” “My Town” & &” Something To Be Happy With”

Visualized (L-R): Eddie Montgomery, Erin D. D. Burr ( RIAA), Angie Gentry, Bryan Frasher ( Traffic Signal Management), Jackie Jones ( RIAA) && Fletcher Lyon ( Traffic Signal Management)

Credit: TenSight Medi a

NASHVILLE, TN ( June 7, 2024)– Last night, the Recording Market Association of America ® ( RIAA) SVP, Media Relations + Gold & & Platinum Program Erin D. D. Burr and SVP, Artist & & Market Relations Jackie Jones shocked Eddie Montgomery, along with the late Troy Gentry’s spouse Angie Gentry and Traffic signal Management group Bryan Frasher and Fletcher Lyon, with plaques honoring Platinum “Something To Be Happy with,” plus Gold ” Hell Yeah” and “My Town” songs launched through Columbia Nashville. The minute was an emphasize for the jam-packed crowd of fans participating in “ Montgomery Gentry including Eddie Montgomery: Commemorating 25 Years” with unique visitors Caleb Lee Hutchinson, Allie Colleen and Individual Retirement Account Dean at 3rd & & Lindsley. The brand-new accreditations raise Montgomery Gentry’s brochure to 7.5 million sales and streaming equivalents in the United States alone. RIAA likewise revealed appreciation for Eddie’s assistance in securing others’ voices and images– in addition to Montgomery Gentry’s tradition– through current discussion with policymakers about the effect of AI on the music neighborhood and beyond. Watch here

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Singer-Actor FKA branches & & Warner Music Group CEO Robert Kyncl Supporter for Voice & & Similarity Defenses at Senate Judiciary Hearing




[[{“value”:”Federal Guardrails Against Deceptive AI-Generated Deepfakes and Voice Clones Gains Momentum in Key Senate Subcommittee
The post Singer-Actor FKA twigs & Warner Music Group CEO Robert Kyncl Advocate for Voice & Likeness Protections at Senate Judiciary Hearing appeared first on RIAA.”}]]

Federal Guardrails Versus Misleading AI-Generated Deepfakes and Voice Clones Gains Momentum in Secret Senate Subcommittee

Visualized (L-R): Warner CEO Robert Kyncl & & FKA branches share impactful individual testament

FKA branches affirms on behalf of voice and similarity approval relating to AI

Warner Music Group CEO Robert Kyncl uses viewpoint to Senate Committee

WASHINGTON, DC ( April 30, 2024) — Vocalist, songwriter, manufacturer, dancer & & star Tahliah Debrett Barnett (“ FKA branches“) and Warner Music Group CEO Robert Kyncl shared effective testament throughout a Senate Judiciary Subcommittee on Copyright hearing previously today in the country’s capital about the significance of guardrails to safeguard a person’s voice and similarity along with the obligation of tech platforms as expert system (AI) quickly develops. The conversation concentrated on the bipartisan Support Originals, Foster Art, and Keep Home Entertainment Safe (NO PHONIES) Act — a proposition presented by Senators Chris Coons, Marsha Blackburn, Amy Klobuchar, and Thom Tillis that would provide federal securities versus using non-consensual digital duplications in audiovisual works or sound recordings for all Americans.

Multi-hyphenate skill, FKA branches throughout acknowledged the significance of approval from the specific whose being is the really essence of this innovation. ” The reality that someone might take my voice, modification lyrics, modification messaging or deal with an artist that I didn’t, it actually leaves me really susceptible. If legislation isn’t put in location to safeguard artists, not just will we let artists who actually appreciate what we do– that have actually invested a very long time establishing themselves– however it would likewise indicate that fans would not have the ability to rely on individuals that they have actually invested a lot of years purchasing.”

In reaction to claims that deepfakes of living or departed individuals are required for filmmaking, FKA branches described, ” I believe the issue is, if you have the ability to utilize an artist’s voice and similarity without approval about their life story, you’re offering the impression that it’s the equivalent of an autobiography, rather a bio … which’s a confusion. If you have the ability to utilize my voice and my precise face, [then] a group of authors in Hollywood that wish to over dramatize things and make it more awful or fantastical, that’s what makes me actually worried, uneasy and susceptible. If it’s a star, we understand to take it with a pinch of salt. If it is the individual themself, then it simply feels too clear and unfair.”

Notified by his previous experience as a magnate at YouTube and Netflix, Kyncl spoke from deep understanding and regard for both innovation and developers and required clear guardrails for AI. “ Through AI, it is really simple for somebody to impersonate me and trigger all way of havoc. They might talk to an artist in a manner that might damage our relationship or state incorrect things that would harm our service.”

Kyncl summarized, “the fact is, everybody is susceptible.”

In a watershed minute, in reaction to questioning from Senator Mazie Hirono, all witnesses present consisting of those requiring modifications or limitations to the proposed legislation concurred that Congress must enact brand-new securities for people’ voices and images.

Attending to complimentary expression issues, SAG-AFTRA National Executive Director & & Chief Mediator Duncan Crabtree-Ireland included, ” I am worried that we are just taking a look at one side of the First Modification factor to consider here. The opposite is the right that each people needs to our own flexibility of speech to be able to interact our concepts, to associate ourselves with concepts that we wish to so and not be related to concepts we disagree with– that is being actually stomped on by this unconfined capability of individuals without a federal right.”

Senator Tillis stated, “ I’m pleased that we’re using up this costs. I do feel highly we ought to do whatever we can to attempt and move it in this Congress.”

RIAA Chairman & & CEO Mitch Glazie r praised the Committee’s thoughtful evaluation of the NO FAKES Act conversation draft. “ Today’s hearing sets the table for swift and strong action by Congress to safeguard every American from unconsented deepfakes and voice clones. Engaging, individual testament from both FKA branches, Warner CEO Robert Kyncl, and SAG-AFTRA National Director & & Chief Mediator Duncan Crabtree-Ireland made a frustrating case for brand-new legislation safeguarding developers’ incomes and tradition and offering all of us the power to stop bad stars from utilizing our voices and images to create violent deepfakes.”

At today’s hearing, Chairman Coons revealed strategies to complete and officially present the NO FAKES Act this summertime. Together with your home No AI Scams Act, both chambers are now progressing with nationwide steps to safeguard people’ voice and similarity rights.

Kyncl’s op-ed released today in The Hill, entitled 4 Guidelines To Make Expert System Work For People even more set out the significance of Authorization, Money Making, Attribution and Provenance as AI is established. He revealed, ” These propositions would develop clear guideline, assisting to avoid a world where AI can proper an individual’s identity without their approval. This would likewise have a ‘halo impact,’ assisting to suppress false information, identity theft, and hate-fueled material.”

Watch The NO FAKES Act: Safeguarding Americans from Unauthorized Digital Replicas hearing here

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RIAA Addresses IP Protections in USTR’S 2024 Unique 301 Report




[[{“value”:”“The 2024 Special 301 Report provides a vital snapshot of the environment for music creators globally as well as a critical blueprint for US engagement with countries around the world to support them,” commented RIAA Chairman & CEO Mitch Glazier. 
The post RIAA Addresses IP Protections in USTR’S 2024 Special 301 Report appeared first on RIAA.”}]]

WASHINGTON, DC ( April 25, 2024) — Today, the United States Trade Agent (USTR) provided its yearly Unique 301 Report relating to deficiencies of copyright and other kinds of copyright (IP) securities in specific nations. The Report examines the existing legal, regulative, judicial, and enforcement actions on IP in those nations and recognizes the effect on United States music developers while likewise highlighting systemic concerns for United States federal government engagement to advance imagination worldwide. Amongst the cross-cutting concerns that show the music neighborhood’s input into the Unique 301 procedure, USTR Ambassador Katherine Tai acknowledged the important value of American developers’ contributions to United States tasks and financial development, keeping in mind Stakeholders from both unions and business in the imaginative sectors have actually highlighted the value of copyright defense and enforcement to their incomes and companies.”

” The 2024 Unique 301 Report offers an essential photo of the environment for music developers worldwide in addition to a vital plan for United States engagement with nations around the globe to support them, commented RIAA Chairman && CEO Mitch Glazier ” We value acknowledgment of uncomfortable patterns in many areas that would hurt the American music neighborhood, consisting of constraints on streaming rights, inadequate enforcement, and stream-ripping piracy, and the recognition of favorable advancements relating to copyright defense and enforcement. We motivate the United States Federal government in future Reports to resolve appropriate copyright defense in the context of AI as dedicated to by President Biden in the G7, and to oppose broad exceptions consisting of text and information mining. We likewise advise the United States Federal government to engage with nations based on continuous trade examinations, and to resolve deeply bothersome propositions on copyright and agreement matters, especially in South Africa.”

” We thank Ambassador Tai and the whole interagency group for their vigorous deal with this essential procedure. RIAA highly supports the United States Federal government’s extensive technique to promoting American developers globally, consisting of through existing and future IP discussions with the European Union, India and the UK.”

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