Connect with us

Music

‘The Natchez Burnin‘”: Howlin’ Wolf Remembers The Mississippi Fire Of 1940

Published

on

The fire in Natchez, Mississippi that took the lives of more than 200 people in 1940 was observed several times on record soon afterwards. But it was on July 19, 1956 that Howlin’ Wolf recorded his own commemoration of those tragic events, in what later became the Chess single “The Natchez Burnin.’”

The fire broke out at the Rhythm Club, when a flame ignited the Spanish moss that hung from its ceiling. With windows nailed shut and only one exit door, a huge crush was inevitable, as victims were burned or crushed to death. The story became national news, and those to lose their lives were bandleader Walter Barnes and nine members of his dance orchestra.

A Chicago hero

When the fire started, Barnes, who had recorded with his Royal Creolians in the late 1920s, had tried to calm the crowd by continuing to perform the song “Marie” with his fellow musicians. He was remembered as a hero, and the Chicago Daily Defender, for whom he also wrote a column, reported that 15,000 attended his funeral.

Within two weeks of the fire, the Lewis Bronzeville Five had recorded both “Mississippi Fire Blues” and “Natchez Mississippi Blues.” Soon afterwards, pianist Leonard “Baby Doo” Caston recorded “The Death of Walter Barnes,” and, under the name of vocalist Gene Gilmore, “The Natchez Fire.”

A stellar recording

The recording session for “The Natchez Burnin”” on July 19 featured Wolf on harmonica and ever-distinctive vocals, guitar by Willie Dixon and drums by Earl Phillips, among others. Wolf made the tribute all the more poignant by naming some of those who died that day. “Charlotte Jones was there, Louisa was there, Rosa Mae was there, Louise was there,” he sang. “I stood back, was looking, and the whole building come tumbling down.”

The track didn’t become a Chess 45 until more than three years later, in November 1959, paired with an even older recording, “You Gonna Wreck My Life,” from 1954. “Natchez” went on to inspire versions by a range of artists from John Lee Hooker to Captain Beefheart, as well as by Louisiana guitarist Robert Gilmore and two bluesmen who actually hailed from Natchez, Elmo Williams and Hezekiah Early.

Buy or stream “The Natchez Burnin’” on Smokestack Lightnin’: The Best Of Howlin’ Wolf.

Listen to uDiscover Music’s Howlin’ Wolf Best Of playlist, which features “The Natchez Burnin’.”

 

Continue Reading

Music

RIAA Addresses IP Protections in USTR’S 2024 Unique 301 Report

Published

on

By

[[{“value”:”“The 2024 Special 301 Report provides a vital snapshot of the environment for music creators globally as well as a critical blueprint for US engagement with countries around the world to support them,” commented RIAA Chairman & CEO Mitch Glazier. 
The post RIAA Addresses IP Protections in USTR’S 2024 Special 301 Report appeared first on RIAA.”}]]

WASHINGTON, DC ( April 25, 2024) — Today, the United States Trade Agent (USTR) provided its yearly Unique 301 Report relating to deficiencies of copyright and other kinds of copyright (IP) securities in specific nations. The Report examines the existing legal, regulative, judicial, and enforcement actions on IP in those nations and recognizes the effect on United States music developers while likewise highlighting systemic concerns for United States federal government engagement to advance imagination worldwide. Amongst the cross-cutting concerns that show the music neighborhood’s input into the Unique 301 procedure, USTR Ambassador Katherine Tai acknowledged the important value of American developers’ contributions to United States tasks and financial development, keeping in mind Stakeholders from both unions and business in the imaginative sectors have actually highlighted the value of copyright defense and enforcement to their incomes and companies.”

” The 2024 Unique 301 Report offers an essential photo of the environment for music developers worldwide in addition to a vital plan for United States engagement with nations around the globe to support them, commented RIAA Chairman && CEO Mitch Glazier ” We value acknowledgment of uncomfortable patterns in many areas that would hurt the American music neighborhood, consisting of constraints on streaming rights, inadequate enforcement, and stream-ripping piracy, and the recognition of favorable advancements relating to copyright defense and enforcement. We motivate the United States Federal government in future Reports to resolve appropriate copyright defense in the context of AI as dedicated to by President Biden in the G7, and to oppose broad exceptions consisting of text and information mining. We likewise advise the United States Federal government to engage with nations based on continuous trade examinations, and to resolve deeply bothersome propositions on copyright and agreement matters, especially in South Africa.”

” We thank Ambassador Tai and the whole interagency group for their vigorous deal with this essential procedure. RIAA highly supports the United States Federal government’s extensive technique to promoting American developers globally, consisting of through existing and future IP discussions with the European Union, India and the UK.”

The post RIAA Addresses IP Protections in USTR’S 2024 Unique 301 Report appeared initially on RIAA

FlipsideMediaET Tampa Bay Music • Live Music & & Music News “Whatever Music”

Continue Reading

Music

Year-End 2023 RIAA U.S. Latin Music Income Report/ Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos

Published

on

By

[[{“value”:”Latin music in the U.S. has increased in popularity and value over the last eight years, outpacing overall recorded music… Read More »
The post Year-End 2023 RIAA U.S. Latin Music Revenue Report / Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos appeared first on RIAA.”}]]

Latin music in the U.S. has actually increased in appeal and worth over the last 8 years, outmatching general documented music each year throughout this duration of strong development. In 2023, the category struck its greatest mark yet at $1.4 billion, representing 16% development over 2022. Changed for inflation, Latin music market profits in 2023 are now 14% above the previous peak in 2005.

LINK TO FULL ENGLISH REPORT HERE

INFORME DE FIN DE AÑO 2023 DE RIAA SOBRE INGRESOS DE MÚSICA LATINA EN ESTADOS UNIDOS

La música latina en los EE. UU. creció en cuanto a su popularidad y valor durante los últimos ocho años, superando a la música grabada en basic cada año durante este período de fuerte crecimiento. En 2023, el género alcanzó su marca más alta con $1400 millones, que representa un crecimiento del 16 % con respecto a 2022. Ajustados por la inflación, los ingresos del mercado de la música latina en 2023 ahora están un 14 % por encima del pico previo en 2005.

ENLACE AL INFORME COMPLETO EN ESPAÑOL AQUÍ

The post Year-End 2023 RIAA U.S. Latin Music Income Report/ Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos appeared initially on RIAA

FlipsideMediaET Tampa Bay Music • Live Music & & Music News “Whatever Music”

Continue Reading

Music

Live Music On I-Drive Orlando

Published

on

By

Live Music on I-Drive Orlando; Supper & & Dancing at Cuba Libra. Friday’s & & Saturday’s; DJ Night. Friday and Saturday; Live Acoustic Music. Fridays and Saturdays.

( Feed created with FetchRSS)

The post Live Music On I-Drive Orlando appeared initially on Weekly Calendar

FlipsideMediaET eMagazine • “Whatever Music”

Continue Reading

Music News Trending