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Country Music Memories: Johnny Cash Gives His Final Performance

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On July 5, 2003, Johnny Cash gave his ultimate public are living efficiency, a 30-minute set on the Carter Circle of relatives Fold in Hiltons, Va.

Despite the fact that visibly frail (he wanted lend a hand strolling from a wheelchair to a chair in entrance of the mic), the legend used to be in just right spirits. Cash uttered his standard show-opening greeting — “Hi, I am Johnny Cash” — in his acquainted deep voice, and grinned because the target market clapped wildly. “I am satisfied to look you other people,” he endured. “Thank you for coming to look our exhibit.”

Cash, who strummed an acoustic all over the set, used to be sponsored by means of bassist Bobby Starnes and a long-time collaborator, guitarist Jerry Hensley. He opened with “Folsom Jail Blues,” “I Stroll the Line” and a Kris Kristofferson quilt, “Sunday Mornin’ Comin’ Down.” Despite the fact that his vocal tone used to be shaky, the efficiency itself used to be steely, and Cash’s guitar enjoying used to be in most cases resonant.

Previous to making a song the following music, Cash venerated his liked spouse, June Carter Cash, who had kicked the bucket simply weeks previous, on Would possibly 15, with some heartfelt remarks.

“The spirit of June Carter overshadows me this night with the affection she had for me and the affection I’ve for her,” he stated. “We attach someplace between right here and Heaven. She got here down for a brief talk over with, I assume, from Heaven, to talk over with with me this night, to provide me braveness and inspiration, like she at all times has.

“She’s by no means been one for me except for braveness and inspiration,” he added. “I thank God for June Carter. I like her with all my center.” Cash then introduced he “would cherish to do a tune that she wrote that she used to be extraordinarily happy with,” and kicked right into a mournful model of “Ring of Fireplace.”

Subsequent, Cash carried out a wrenching model of “Angel Band,” a tune he stated his spouse had requested Emmylou Harris to accomplish at her funeral. That used to be adopted by means of two ultimate songs, “Large River” and “Perceive Your Guy.” Prior to the latter music, Cash joked they have been “making a large number of noise up right here — particularly Jerry, along with his electrical guitar.” He then became to the guitarist and reassured him, “It is k, Jerry, do not fret — we aren’t going to throw you out. I would possibly not let ’em.”

Cash then proceeded to inform a tale in regards to the first time he introduced “electric tools” to the Carter Circle of relatives Fold. His cousin, Janette Carter, were given onstage and defined, “‘Neatly, I do know that we do not permit anyone to plug in when they are right here, however June stated that Johnny Cash used to be already plugged in when she met him.'”

Then got here “Perceive Your Guy,” which Cash stated he hadn’t been performed in 25 years, and a rousing status ovation.

After this efficiency, Cash recorded a number of extra songs, together with an unique, “Just like the 309,” which surfaced on American V: A Hundred Highways. Cash died on Sept. 12, 2003, on the age of 71.

WATCH: Unforgettable Johnny Cash Moments

LOOK: Johnny Cash + Extra Country Artists Who Have Served within the Army

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RIAA Addresses IP Protections in USTR’S 2024 Unique 301 Report

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[[{“value”:”“The 2024 Special 301 Report provides a vital snapshot of the environment for music creators globally as well as a critical blueprint for US engagement with countries around the world to support them,” commented RIAA Chairman & CEO Mitch Glazier. 
The post RIAA Addresses IP Protections in USTR’S 2024 Special 301 Report appeared first on RIAA.”}]]

WASHINGTON, DC ( April 25, 2024) — Today, the United States Trade Agent (USTR) provided its yearly Unique 301 Report relating to deficiencies of copyright and other kinds of copyright (IP) securities in specific nations. The Report examines the existing legal, regulative, judicial, and enforcement actions on IP in those nations and recognizes the effect on United States music developers while likewise highlighting systemic concerns for United States federal government engagement to advance imagination worldwide. Amongst the cross-cutting concerns that show the music neighborhood’s input into the Unique 301 procedure, USTR Ambassador Katherine Tai acknowledged the important value of American developers’ contributions to United States tasks and financial development, keeping in mind Stakeholders from both unions and business in the imaginative sectors have actually highlighted the value of copyright defense and enforcement to their incomes and companies.”

” The 2024 Unique 301 Report offers an essential photo of the environment for music developers worldwide in addition to a vital plan for United States engagement with nations around the globe to support them, commented RIAA Chairman && CEO Mitch Glazier ” We value acknowledgment of uncomfortable patterns in many areas that would hurt the American music neighborhood, consisting of constraints on streaming rights, inadequate enforcement, and stream-ripping piracy, and the recognition of favorable advancements relating to copyright defense and enforcement. We motivate the United States Federal government in future Reports to resolve appropriate copyright defense in the context of AI as dedicated to by President Biden in the G7, and to oppose broad exceptions consisting of text and information mining. We likewise advise the United States Federal government to engage with nations based on continuous trade examinations, and to resolve deeply bothersome propositions on copyright and agreement matters, especially in South Africa.”

” We thank Ambassador Tai and the whole interagency group for their vigorous deal with this essential procedure. RIAA highly supports the United States Federal government’s extensive technique to promoting American developers globally, consisting of through existing and future IP discussions with the European Union, India and the UK.”

The post RIAA Addresses IP Protections in USTR’S 2024 Unique 301 Report appeared initially on RIAA

FlipsideMediaET Tampa Bay Music • Live Music & & Music News “Whatever Music”

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Year-End 2023 RIAA U.S. Latin Music Income Report/ Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos

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[[{“value”:”Latin music in the U.S. has increased in popularity and value over the last eight years, outpacing overall recorded music… Read More »
The post Year-End 2023 RIAA U.S. Latin Music Revenue Report / Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos appeared first on RIAA.”}]]

Latin music in the U.S. has actually increased in appeal and worth over the last 8 years, outmatching general documented music each year throughout this duration of strong development. In 2023, the category struck its greatest mark yet at $1.4 billion, representing 16% development over 2022. Changed for inflation, Latin music market profits in 2023 are now 14% above the previous peak in 2005.

LINK TO FULL ENGLISH REPORT HERE

INFORME DE FIN DE AÑO 2023 DE RIAA SOBRE INGRESOS DE MÚSICA LATINA EN ESTADOS UNIDOS

La música latina en los EE. UU. creció en cuanto a su popularidad y valor durante los últimos ocho años, superando a la música grabada en basic cada año durante este período de fuerte crecimiento. En 2023, el género alcanzó su marca más alta con $1400 millones, que representa un crecimiento del 16 % con respecto a 2022. Ajustados por la inflación, los ingresos del mercado de la música latina en 2023 ahora están un 14 % por encima del pico previo en 2005.

ENLACE AL INFORME COMPLETO EN ESPAÑOL AQUÍ

The post Year-End 2023 RIAA U.S. Latin Music Income Report/ Informe de Fin del Año 2023 de RIAA Sobre Ingresos de Música Latina en Estados Unidos appeared initially on RIAA

FlipsideMediaET Tampa Bay Music • Live Music & & Music News “Whatever Music”

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Live Music On I-Drive Orlando

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Live Music on I-Drive Orlando; Supper & & Dancing at Cuba Libra. Friday’s & & Saturday’s; DJ Night. Friday and Saturday; Live Acoustic Music. Fridays and Saturdays.

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The post Live Music On I-Drive Orlando appeared initially on Weekly Calendar

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