Connect with us

Music

May Toudic: Making Literary Classics Accessible Through Adaptation

FlipsideMediaET

Published

on

Who much better to compose as well as guide the podcast Murray Mysteries, a gothic-comedy retelling of Bram Stoker’s Dracula, than a PhD pupil whose research study rate of interest remains in brand-new media adjustment?

May Toudic, of the imaginative cumulative Knöves Storytelling, is enthusiastic concerning taking a look at just how organizations can consist of even more variety as well as assistance marginalized individuals recover the literary canon.

She clarified, ” I intended to produce something that was an adjustment online. I originally prepared to do an internet collection, as well as Dracula stuck out to me since there was currently located video in a layout with journals as well as letters.

” When I prepared to videotape, it was mid-2020. I figured there was no chance I would certainly have the ability to obtain individuals in the exact same area to document.”

Fortunately, May had actually been dealing with an audio task for a music with skilled individuals from throughout the globe. ” I recognized they have a great values, as well as I was appreciating dealing with them, so I chose to change the internet collection right into a podcast.

” I believe that was the most effective choice I’ve ever before made– not even if I reached deal with amazing individuals, however additionally since the podcast neighborhood, the audio dramatization neighborhood specifically, is remarkable, as well as I’ve fulfilled several impressive individuals with it.”

May’s on-line buddies were additionally truly enthusiastic concerning the task. She asked those interested to do a tryout, of types, as well as remembers one of the most fascinating of them: ” I really did not have a great deal of men auditioning, so I asked Tom Magennis, that took place to play both Quincy as well as Jonathan, to switch over in between both. He improvisated a whole discussion, as well as it was definitely humorous.”

Another actors participant that attracts attention is May’s precious Gilbert. ” I desired my pet cat in the manufacturing, so I produced a personality for him. Every one of our Patreon rates have images of Gilbert with various sorts of blades.”

The long-lasting fiction author confessed that although every recording session is great deals of enjoyable, ” Sometimes, it’s a little bit like rounding up felines. We really did not have any type of males in our team after the music, so real-life guys of the starlets were brought right into the Murray Mysteries actors. Jonathan Tilley plays Drac, as well as Tom Magennis plays both Jonathan Harker as well as Quincey Morris. Tom is a wonderful individual, however he’s not one of the most arranged, so occasionally, he would certainly ignore a recording session, as well as I would certainly need to inform Bebhinn Tankard to, ‘ Get your sweetheart!'”

Everyone that has a duty in the manufacturing stays in a various location. May shared just how all of it collaborated. ” I’m in Scotland. Some individuals remain in England, as well as others remain in Austria. At the time, still others remained in Belgium as well as Canada. We videotaped on video clip conversation. Prior to we began making use of Zencastr, which synchronizes, everyone made use of to concurrently videotape on Audacity, as well as I needed to place every little thing with each other, which was a great deal of job. We believed it was necessary to videotape on video clip conversation, so we can feed off each various other’s expressions as well as tones.

” There are a great deal of team scenes towards completion, as well as it was testing to obtain 5 or 6 individuals in 3 or 4 various time areas ahead with each other at the exact same time, however it deserved it.”

Ever creative, May began creating fiction at a very early age. ” When I was a child, I mosted likely to all speculative colleges, many thanks to my really liberal moms and dads. For our once a week discussions when I was 9 or one decade old, I review from a collection I had actually blogged about my educator forging her very own kidnapping, so she would not need to return to show us. In my tale, I claimed that she requested for potatoes as ransom money, since she intended to make a large pie.” May’s imaginary story made such a perception that on her birthday celebration, the educator made a potato pie for the course.

Now in her the adult years, this scientist delights in enjoying as well as creating funny as much she likes literary internet collection as well as sound dramatization. ” My desire is to be like Amy Sherman-Palladino. She’s my favored film writer as well as designer, as well as I truly like her brand name of wit.

” I’ve located that what I truly like creating is discussion, as opposed to summary or narrative, so the globe of audio dramatization functions well for me.”

Next up for Knöves Storytelling is a non-fiction podcast, which is mosting likely to be called Something Queer is Happening Here ” It’s mosting likely to be everything about locating queer subtext in various items of media– publications, and so forth.”

Another adjustment podcast is additionally slated to be launched quickly. ” It’s called Morland PI, as well as it will certainly be an adjustment of the Jane Austen unique Northanger Abbey.

” It will certainly have a really comparable ambiance as Murray Mysteries, with a number of the exact same voice stars. The primary personality is mosting likely to be played by the extremely skilled Megan John, that played Lucy Westenra in Murray Mysteries

It appears Murray Mysteries might be the start of a collection of adaptation-based dramatization that rejuvenate literary standards.

June 2022 Issue

The message May Toudic: Making Literary Classics Accessible Through Adaptation showed up initially on Podcast Magazine ®

FlipsideMediaET eMagazine • “Everything Music”

CMT

Chips Moman To Be Honored As Sixth Member Of Nashville Songwriters Hall Of Fame Class Of 2022 

FlipsideMediaET

Published

on

Chips Moman

Next month, the late Chips Moman will be inducted into the Nashville Songwriters Hall of Fame (NaSHOF) at the organization’s 52nd Anniversary gala. Moman was elected in NaSHOF’s new Legacy category which was designed specifically to honor Hall of Fame-worthy candidates who are deceased.

Raised on a farm near LaGrange, Georgia, Lincoln Wayne “Chips” Moman left school at 14 to hitchhike to Memphis where he spent time as a session guitarist before diving into record producing and songwriting. As a songwriter, he scored R&B and pop hits in 1961 with “Last Night” by The Mar-Keys and “This Time” by Troy Shondell. In 1967, Moman and Dan Penn created the classics “The Dark End Of The Street” by James Carr and “Do Right Woman, Do Right Man” by Aretha Franklin, which was later a top 20 for Barbara Mandrell.

After moving to Nashville in the early ’70s, Moman earned the 1976 Grammy for Best Country Song for B.J. Thomas’ multi-genre No. 1 “(Hey, Won’t You Play) Another Somebody Done Somebody Wrong Song.” In 1977, Waylon Jennings debuted Moman’s outlaw country classic “Luckenbach, Texas (Back To The Basics Of Love).” In 1978, Thomas topped the AC charts again with “Everybody Loves A Rain Song.” Other songs from Moman’s catalog include “Love Looks Good On You” by David Houston, “The Wurlitzer Prize (I Don’t Want To Get Over You)” by Jennings and “So Much Like My Dad” by George Strait.

Moman will be inducted alongside the previously announced members of the Class of 2022: Hillary Lindsey, David Malloy, Gary Nicholson, Shania Twain, and Steve Wariner. Taking place on Sunday, Oct. 30 at Nashville’s Music City Center, the new inductees-elect will join the 229 existing members of the Hall, which was established in 1970.

“We’re so proud to see Chips Moman memorialized in this year’s class,” says Sarah Cates, Chair of the organization’s Board of Directors. “As demonstrated by classics such as ‘(Hey, Won’t You Play) Another Somebody Done Somebody Wrong Song’ by B.J. Thomas and ‘Luckenbach, Texas (Back To The Basics Of Love)’ by Waylon Jennings, Chips’ enduring work as a songwriter is outstanding, unforgettable and incredibly deserving of our ultimate recognition.”

Moman was inducted into the Georgia Music Hall of Fame in 1990 and the Memphis Music Hall of Fame in 2014.

The post Chips Moman To Be Honored As Sixth Member Of Nashville Songwriters Hall Of Fame Class Of 2022 appeared first on MusicRow.com.

FlipsideMediaET eMagazine • “Everything Music”

Continue Reading

CMT

Vince Gill Celebrates 30th Anniversary Of Award-Winning LP ‘I Still Believe in You’

FlipsideMediaET

Published

on

Pictured (L-R): Cindy Mabe (Universal Music Group Nashville), Vince Gill, Tony Brown (Producer), Larry Fitzgerald (Gill’s Manager). Photo: Jason Davis/Getty Images

Vince Gill was recently celebrated backstage at the taping of his CMT Giants: Vince Gill special, where he was presented with a plaque in honor of the 30th anniversary of his I Still Believe in You album.

The classic project made its debut in September of 1992, and produced five singles, four of which went to No. 1, including “I Still Believe In You,” “No Future In The Past,” “Tryin’ To Get Over You,” and “One More Last Chance.” The fifth single from the album, “Don’t Let Our Love Start Slippin’ Away,” peaked at No. 2 on the charts. The album is certified 5x Platinum.

I Still Believe In You was produced by Tony Brown, and the title track was written by Gill and John JarvisGill earned two 1992 Grammy Awards for Best Country Song and Best Country Vocal Performance, Male for its title track. At the 1993 CMA Awards, he took home Album of the Year, Male Vocalist of the Year, Song of the Year and Entertainer of the Year.

Four videos created from songs from the album have now been remastered. “Don’t Let Our Love Start Slippin’ Away” and “One More Last Chance” are freshly remastered for the album’s anniversary, and “Tryin’ To Get Over You” and “I Still Believe In You” have been previously remastered in HD.

CMT Giants: Vince Gill premieres this Friday (Sept. 16) at 8 p.m. CT on CMT. The special brings together Gill’s friends, collaborators, and some of the biggest names in music to honor him with performances of his most legendary hits, including Brad Paisley, Carrie Underwood, Chris Stapleton, Cody Johnson, Luke Combs, Maren Morris, Ricky Skaggs, Sting and more. Emmylou Harris, Keith Urban, Reba McEntire, Rodney Crowell will also appear as special guests to share personal stories, reflect on their time working with Gill and speak to his impact on country music.

The post Vince Gill Celebrates 30th Anniversary Of Award-Winning LP ‘I Still Believe in You’ appeared first on MusicRow.com.

FlipsideMediaET eMagazine • “Everything Music”

Continue Reading

CMT

BMI Celebrates Record-Breaking Fiscal Year With All-Time High Revenue & & Royalty Distributions

FlipsideMediaET

Published

on

BMI reported record-setting revenue and royalty distributions for its fiscal year ending June 30, 2022.

According to its report, the company distributed and administered $1.471 billion to its songwriters, composers and publishers, marking an increase of $136 million or 10% over last year. Additionally, BMI set revenue records with $1.573 billion, notching an increase of $212 million or 16% compared to last year.

“We had an exceptionally strong year thanks to the incredible popularity of the BMI repertoire, allowing us to deliver the highest royalty distributions in BMI’s history,” Mike O’Neill, President & CEO, BMI shares. “Providing this financial stability to our outstanding creative community is a gratifying culmination of BMI’s efforts every day on behalf of our songwriters, composers and publishers. Moving forward, we will continue to maximize the value of our affiliates’ music and ensure that our company is well positioned to deliver growth for our creators and copyright owners well into the future.”

Revenue from digital sources represented 48% of BMI’s domestic total with $572 million, an increase of $149 million or 35%, compared to last year. Growth was seen across all digital sectors, with notable increases in subscription video-on-demand services such as Netflix, Disney+, AppleTV+ and Peacock, as well as new digital audiovisual agreements with Roku, Vudu, Equinox+ and Snapchat, among others.

Total domestic media licensing revenue—comprised of cable, satellite, broadcast television and radio—came in at $479 million, an increase of $7 million or 2%, over last year. Cable and satellite-derived revenue totaled $270.3 million and broadcast television revenue came in at $94.3 million, both holding steady with last year. Radio revenues totaled $114.2 million, an increase of 6%.

General Licensing, along with other income, was up 10% year-to-year with $140 million. Driven by the strength of BMI’s repertoire overseas, the company’s international revenue grew to $382 million, up $43 million or 13%, over last year.

This year, BMI processed approximately 2.23 trillion performances, up 13% over last year. Of that, 2.21 trillion were digital performances and over 260 billion were digital audio-visual performances, a 7% increase over last year. BMI’s number of licensed musical works grew by 10% this year, bringing the total to 20.6 million.

BMI also celebrated over 100,000 new songwriters, composers and publishers joining the company, putting affiliate membership to more than 1.3 million.

The post BMI Celebrates Record-Breaking Fiscal Year With All-Time High Revenue & Royalty Distributions appeared first on MusicRow.com.

FlipsideMediaET eMagazine • “Everything Music”

Continue Reading

Music News Trending